※ 引述《waowaowao (邊緣的界限...)》之銘言：
: 演 講 公 告
: 主講人：曾藍瑩教授（美國耶魯大學藝術史系助教授）
: 題 目：裝飾藝術與文化符號：從漢代的博局紋鏡談起
: 時 間：民國九十三年六月四日（五）
: 上午10:00－12:00
: 地 點：台大文學院會議室
: 歡迎蒞臨參加
Lillian Lan-ying Tseng
B.A. National Taiwan University
M.A. National Taiwan University
Ph.D. Harvard University
Assistant Professor
Chinese Art
Professor Tseng received her Ph.D. from Harvard in 2001, and joined the Yale
faculty in 2003. She has published a number of articles concerned with divers
e cultural issues in Chinese art, such as history and memory, visual replicat
ion and political persuasion, pictorial representation and historical writing
, and the interchangeability of the self and the other. She is currently at w
ork on a book tentatively entitled Picturing Heaven: Visibility and Visuality
in Early China.
Publications
In Scholarly Volumes
"Visual Replication and Political Persuasion: The Celestial Image in Yuan Yi's
(486-526) Tomb," in Between Han and Tang: Art and Material Culture in a Trans
formative Period, ed. Wu Hung (Beijing: Cultural Relics Press, forthcoming 200
4).
"Retrieving the Past, Inventing the Memorable: Huang Yi's (1744-1801) Visit to
the Song-Luo Monuments," in Monument and Memory, Made and Unmade, ed. Robert
Nelson & Margaret Olin (Chicago: University of Chicago Press, 2003), 37-58.
"Pictorial Representation and Historical Writing: Zhao Wangyun's (1906-1977) V
isual Reports on Rural North China for L'Impartial," in When Images Speak: Vis
ual Representation and Cultural Mapping in Modern China [Hua zhong you hua: ji
ndai Zhongguo de shijue biaoshu yu wenhua goutu], ed. Ko-wu Huang (Taipei: Ins
titute of Modern History, Academia Sinica, 2003), 63-122.
"Interchange of the Self and the Other: Wu Zuoren's (1908-1997) Visual Represe
ntation of the Northwestern Frontier," in Regions and Networks: One Thousand Y
ears of Chinese Art [Quyu yu wangluo: jin qiannian lai Zhongguo meishushi yanj
iu guoji xueshu yantaohui lunwenji], ed. Pao-chen Chen (Taipei: Institute of A
rt History, National Taiwan University, 2001), 669-700.
"Myth, History and Memory: The Modern Cult of the Simuwu Bronze Vessel," in Ch
inese Culture Centenary [Zhonghua wenhua bainian], ed. Kuang-nan Huang (Taipei
: National Museum of History, 1999), 717-767.
In Journals
"Representation and Appropriation: Rethinking the TLV Mirror in Han China," Ea
rly China (forthcoming 2004).
"Divining from the Game Liubo: An Explanation of a Han Wooden Slip Excavated
at Yinwan," China Archaeology and Art Digest 4, no. 4 (2002), 55-62.
"Workshops, Repertoires and Regional Visual Traditions: Traces of the Han Car
ved Tomb at Anqiu in Shandong," Taida Journal of Art History [Meishushi yanjiu
jikan] (Taipei), 8 (2000), 33-86.
"An Explanation of the TLV Diagram for Divination from Yinwan," Wenwu (Beijing
), 8 (1999), 62-65.
"Theory and Practice of Dong Qichang's (1555-1636) Calligraphy," Study of the
Arts [Yishuxue] (Taipei), 6 (1991), 75-118.
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