Bridges to Heaven:
A Symposium on East Asian Art in Honor of Professor Wen C. Fong(2006/4/1-2)
Bridges to Heaven is an international symposium organized by the P. Y.
and Kinmay W. Tang Center for East Asian Art with support from The Blakemore
Foundation and co-sponsored with the Princeton University Art Museum, the East
Asian Studies Program and the Department of Art and Archaeology
This symposium will feature fifteen paper presentations, and a related festsch
rift publication to follow will include about forty papers by Professor Fong's
students and several of his colleagues. Both will honor Wen Fong's 45 years of
teaching at Princeton, his years of leadership at The Metropolitan Museum of
Art, and his unsurpassed impact on the field of Asian art history. The main
title of the symposium and of the subsequent publication, "Bridges to Heaven,
" pays homage to Wen Fong's ground-breaking dissertation and his resultant
early publication, entitled The Lohans and a Bridge to Heaven (1958). Many of
Wen Fong's students in Chinese, Japanese, and Korean art history will present
new research that has been deeply influenced intellectually and methodological
ly by his teaching and has ventured "across many bridges," linking art history
with a multitude of other disciplines, including literature, political and soc
ial history, religion, anthropology, and geography.
Saturday, 1 April 2006
Registration and Coffee, 8:30 am-9:30 am
McCosh 50, Helm Auditorium, Princeton University
Morning Session 9:30 am-1:00 pm Welcoming Remarks
Jerome Silbergeld, Princeton University
Introductory Remarks
James F. Cahill, Emeritus, University of California, Berkeley
Wan-go Weng, Lyme, New Hampshire
Reconfiguring the Canon: The Art Historical Discipline
Chairs: Shen C. Y. Fu, National Taiwan University
Lothar Ledderose, University of Heidelberg
Maggie Bickford, Brown University
Why Visual Evidence is Evidence: Rehabilitating Connoisseurship
at the Start of a New Century
Anthony Barbieri-Low, University of Pittsburgh
Regionalism in Han Dynasty Stonecarving and Lacquer Painting
Nicole Fabricand-Person, Lafayette College
A Change of Clothes: Selective "Japanization" of Female Buddhist Images
in the Late Heian and Kamakura Periods (12th and 13th Centuries)
Afternoon Session 2:30-5:30 pm
Material Illuminations: Inscriptions, Texts, and Print Media
Chairs: Roderick Whitfield, Emeritus, SOAS, University of London
Maxwell K. Hearn, The Metropolitan Museum of Art
Hui-liang Chu, Taipei Physical Education College and Chinese Culture University
Calligraphy and Changing of the Word—A Study of Yang Weizhen's Inscription
on "Album of Ancient Coins"
Hui-Wen Lu, National Tsing-hua University
Imag(in)ing Oriental Art in Late 19th-Century America: A Study on
the Text and Color Illustrations of Oriental Ceramic Art
Christine C. Y. Tan, Princeton University
"One Hundred Beauties" Multiplied
Richard K. Kent, Franklin and Marshall College
Fine Art Amateur Photography in Republican-Period Shanghai
Sunday, 2 April 2006
Registration and Coffee, 8:30 am-9:30 am
McCosh 50, Helm Auditorium, Princeton University
Morning Session 9:30 am-12:30 pm
Cultural Contexts: Appreciating the Arts
Chairs: Shou-chien Shih, National Palace Museum
David Ake Sensabaugh, Yale Art Gallery
Helmut Brinker, University of Zurich
Seeking Delight in the Arts: A Literary Gathering by Ikeda Koson (1801-1866)
Jan Stuart, Freer-Sackler Galleries
Methods of Display and their Impact on Art Appreciation in mid-to-late Imperial
China
Yi SongMi, Emerita, The Academy of Korean Studies
Making of the Royal Images: Documents and Paintings of the Chos?n Dynasty (1392
-1910)
Pao-chen Chen, National Taiwan University
An Analytical Reading of the Portraits of Emperor Qianlong and his Consorts
Afternoon Session 2:00-5:30 pm
Inspiration from Realities: Art and Representation
Chairs: Chu-tsing Li, Kansas University, Emeritus
Julia K. Murray, University of Wisconsin
John Hay, University of California at Santa Cruz
Shanshui, Shanshuihua, and Dili
Robert E. Harrist, Jr., Columbia University
Camel Mountain and Lotus Peak: Images Discovered in Nature
and their Representation in Chinese Pictorial Art
Yukio Lippit, Harvard University
Apparition Painting
Richard M. Barnhart, Emeritus, Yale University
The Song Experiment with Mimesis
Reflections on Chinese Art History
Wen C. Fong, Emeritus, Princeton University
Concluding Remarks
Jerome Silbergeld, Princeton University
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