Nonsense grumble

[mooby (digital)]

In Taiwan when you ask someone if this outboard is good enough for produce
electronics stuff, there's always someone like "arh...ok, but I prefer bla
bla bla..." or "forget about that! You should buy bla bla bla..."

Likewise, when I say "ok that's enough for me to produce a decent tune" or
"Mmm... I can use that to make some good sounds" there's always some so-
called "veterans" who's like "hahaha... am I a fool to buy a Neve, TubeTech
bla bla bla... just for their cool looks?"

Of course I know, you fool.

When I hit someone's studio where got soomething like Virus or ProTools, I
wish to hear something fresh, especially when he says "Oh I produce elec-
tronics..." But you know that's not what you expect at all.

There's always a myth in Taiwan's production scene: The ones who have the
best tools don't know what the fxxk the electronic music is. They don't go
clubbing, don't know how to produce a decent tune with a tight budget, don't
know what's goin on in rave scene... BT is their only god and they just try
to make their sound like that or, even worse, to color their pop shit with
a trance or drum & bass edge...

I believe if I play Calibre's tunes for them, they'll said "Oh, the sound
quality is kind of poor... a little repeative... what a dull vocal... bla
bla bla..." But Calibre kills. Moreover, his studio, according to MIST, is
"the fxxking worst studio in this world." But who cares since his ideas are
so good?

I remember someone told me he was very unhappy about the ADAT resolution of
896 cos it's only 24bit/48khz. Well, I think "if you wanna produce dance
tunes, why bother since your tunes will be pressed 2 be a piece of vinyl
(that's 12bit/22khz)????"

OK, thanks for listening to my bullsh*t.

--
「肯德雞啊! 肯德雞啊! 肯你媽的B。 麥當勞啊! 麥當勞啊! 賣個雞巴毛。
  至於頂呱呱我就不知道，這是我在大陸的搖頭店聽到的，進去不到5分鐘
  我就跑出來了，因為太台了。」

 (奇摩家族，Rave派對聯絡簿，口號一籮筐，呆呆，2002/01/09)

--
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