過了的表演......
http://www.tpf.org.tw/event/2008EDM/0129/index.html
報導
http://www.taipeitimes.com/News/feat/archives/2008/03/31/2003407861
[THE WEEKENDER]: Philharmonic, ESO hit the right notes
By Diane Baker, Noah Buchan and Bradley Winterton
STAFF REPORTERS AND CONTRIBUTING REPORTER
Monday, Mar 31, 2008, Page 13
Bach's tender and scintillating B Minor Mass, one of the greatest monuments
in world music, had never been heard live in Taiwan before Saturday night (in
Taipei's National Concert Hall). The event turned out to be pure joy, a
performance in a thousand. Helmuth Rilling coaxed a nimble, piquant period
style from the Evergreen Symphony Orchestra, youthful as ever and dominated
by female instrumentalists - even two of its three trumpeters were women.
The experience was delightful at every point, with the much-loved obligato
solos for oboe, bassoon, trumpet and horn all flawlessly rendered. Only the
Et in Spiritum Sanctum seemed a touch fast, making it hard to relish bass
Liao Chong-boon's many vivificantens. This number should ideally wind its way
at moderate pace through sunlit glades of pure pleasure.
The strong and disciplined Taipei Philharmonic Chorus was uniformly fine,
rising to the great moments such as the twin Osanna in Excelsis outbursts
when it bounded heavenwards with incomparable elan and brio. Never had this
music sounded so joyous.
Stylistically this marvelous event couldn't have been improved on. There was
no inappropriate pomp or melodrama, but instead a kind of sprung rhythm, with
subtle changes of tempo within the numbers that was intensely enjoyable.
Mezzo Anja Schlosser was superb in the Laudamus te (supported by Bach's
slithering accompaniment), tenor Teng Chi-long gave us a serene Benedictus,
while the beauty of soprano Lee Pei-ying's voice was everywhere apparent.
Much effort had gone into this event, from among others the Taipei German
Cultural Center's indefatigable director, Jurgen Gerbig.
Bach didn't live to hear his great masterpiece. By contrast, we were so lucky!
Also on Saturday, at the Taipei International Conference Center, Nanta
(Cookin) took the stage to a packed audience of mostly parents and children,
who cheered as performers banged, bashed and clanked all manner of kitchen
utensils.
Billed as South Korea's most popular stage show, the kitchen shenanigans,
audience participation and rambunctious pratfalls had the audience roaring
with laughter throughout the show.
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