Last week is very special to me, because I
heard Master Yao play the most heartbreaking
Guqin pieces to me.
I began to learn the most difficult section
13 of the whole "Da Hujia". In this section,
composer used some technique to simulate the
crying of children, then Tsai Wen Ji was took
to the carriage, so the crying fade out. It's
impossible for me to produce such effect, but
when Master Yao playing, all things came out:
the children crying and trembling, Tsai was
heartbreaking, but she could only obey Minister
Tsao's order. The carriage running, Tsai could
hear nothing but her childrens crying in distance
...and far far away at last. In section 14, Tsai
determined to forget anything in the place of Hu,
but the road was not smooth, she unconciously to
let anything came into her imagination...about
her children, her father, her childhood, her life
befor and after...etc.
Later, Master Yao played the highlight of "Cuge"
which describing the fail of Xian Yuh, and his
farewell to Beauty Yuh. I've never studied this
piece before, so I didn't know the section number,
but Master Yao told me the section title, so that
I could know "what's happenning." In Master Yao's
playing, I could really see the siege of Liu Ban's
militaries, then Xian Yuh try to break it by his
courage (You can hear two forceful "Po La" technique
here.), but finally he returned without success. He
and Beauty Yuh said farwell to each other. "Shen Qi
Mi Pu" uesd only two short phrase to depict Xian Yuh's
farewell to Beauty Yuh, but this two short phrase sounds
very very beautiful, fragile, songful and so tender in
the whole piece that it seemed come from other lyrical
piece.
I really want to beg Master Yao stop playing, but I
didn't do that, because I didn't wat to let him know
my sentiment. The tears were already in my eyes, so I
could not speak out ,too. But in this experience, I
find that the piece in "Shen Qi Mi Pu" is more abstract
than pieces in later tablature. If you have chance to
learn a big piece from "Shen Qi Mi Pu", you can understand
the "grammer" in those pieces. I don't listen to(also play)
the later pieces recently, because I regard the piece in
"Shen Qi Mi Pu" are far superior to them. I would like to
study and play the ancient pices only afterward.
--
一溪流水漱成冰 六馬噓天四座傾
未是幽情堪動處 試聽徽外兩三聲
--
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※ 編輯: flowerwheels 來自: 124.77.204.244 (04/10 23:01)