※ [本文轉錄自 NTU06DFLL 看板]
作者: sophia0603 (sophia) 看板: NTU06DFLL
標題: [公告] 臺大莎士比亞學術活動
時間: Fri Apr 13 16:31:19 2007
臺大莎士比亞學術活動
Joseph Graves
Artistic Director, Institute of World Theatre and Film, Peking University
北京大學外國戲劇與電影研究所藝術總監
Joseph Graves is currently the artistic director of the Peking University's
Institute of World Theatre and Film in Beijing, China. Prior to his position
in China, Graves spent his professional life as a director, writer and actor
for both theatre and film in Great Britain and America. He has directed and
/or performed in over 60 Shakespearean productions in Great Britain, America,
and China, and has impersonated Hamlet, Henry V, King Lear, Richard III,
Macbeth, Richard II, Antony, Brutus, Leontes, Romeo, Mercutio, Petruchio,
along with many other roles. Graves has also written extensively for film
and stage.
1. Lecture 1: Shakespeare from Page to Stage
This lecture offers a brief synopsis of Shakespeare’s history and his impact
on the English language, but concerns itself primarily with the art and craft
of acting as it relates to getting the bard off the page and up on a stage in
performance. The lecture will include those in attendance being guided through
some fundamental exercises in performing monologues from some of Shakespeare’s
plays.
4月30日週一下午4:00-5:10
臺灣大學新生大樓505教室
2. Acting Workshop
限25人，請於4月23日前報名ꄊ
5月1日週二下午2:00-5:00
臺灣大學戲劇系110教室
3. Solo Performance: Revel’s World of Shakespeare
Written and performed by Joseph Graves
Graves draws heavily on his considerable personal experiences with
Shakespearean plays and study for the play’s articulations. Graves magically
weaves a wildly comedic and deeply moving tale of childhood confusion and
exploration, relating it all to the greatest English writer, William
Shakespeare.
演出以英文進行，附中文字幕。
5月2日週三下午3:30-4:50
臺灣大學視聽小劇場
4.Lecture 2: Shakespeare: to Be Studied or Performed?
This lecture deals with two distinctly different approaches to the works of
William Shakespeare, those of the academic, and those of the performer.
Graves points toward the equally pronounced similarities the two disciplines
share related Shakespeare’s works, and explains how the two approaches to
Shakespeare coalesce more often than not, and can, through a unity of
applications, vastly enlarge our appreciation and understanding of the
dramatic works of greatest of all Western writers.
5月4日週五下午2:00-3:10
臺灣大學新生大樓503教室
http://www.shakespeare.tw
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◆ From: 140.112.5.71