※ [本文轉錄自 NTU05DFLL 看板]
作者: spanisheyes (hazel) 看板: NTU05DFLL
標題: [公告] 外文系學術演講Taoism in the novels of Francois Cheng
時間: Thu Dec 4 11:55:42 2008
國立臺灣大學外國語文學系學術演講
DFLL Faculty Colloquium
Le Taoisme dans les romans de Francois Cheng
Taoism in the novels of Francois Cheng
「以法語演講，中文口譯」(The lecture will be delivered in French, interpreted
into Chinese.)
Speaker: Mr. Tao Hanwei (DFLL Project Instructor )
演講人：陶漢威老師（國立臺灣大學外文系專案計畫講師）
Moderator: Prof. Rachel Juan (Director, Undergraduate Program in European
Languages, NCCU)
主持人：阮若缺教授（國立政治大學歐洲語文學程主任）
Interpreter: Prof. Louisa Lin (DFLL Assistant Professor)
口譯：林湘漪助理教授（國立臺灣大學外文系助理教授）
Time: 3:30 ~ 5:00 pm, Wednesday, December 10, 2008
時間：2008年12月10日週三下午3:30-5:00
地點：臺大校史館（舊總圖）一樓外文系新會議室
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Resume
Cette etude vise a traiter de la maniere dont le taoisme apparait comme theme
principal dans les romans de Francois Cheng, Le dit de Tianye et L’Eternite n’
est pas de trop. Ecrivain d’origine chinoise qui utilize la langue francaise
comme moyen d’expression, Cheng puise son inspiration dans la culture de son
pays natal. De cette culture, il privilegie en particulier le taoisme auquel il
se refere incessamment dans ses creations romanesques. Ces dernieres se
developpent depuis des conceptions taoistes comme le retour, le dialogue, la
metamorphose, etc… Ainsi, elles se revelent impregnees d’une esthetique
taoiste. A un autre niveau, cette esthetique renvoie a la biographie de Cheng
lui-meme qui a parcouru un long cheminement caracterise par le retour, le
dialogue, la metamorphose.
Abstract:
This study aims to analyze the way Taoism appears in the novels of Francois
Cheng, Le dit de Tianye and L’Eternite n’est pas de trop, as their major
theme. A writer from China, Cheng uses French as his language of creation. As a
well-known French writer, he owes nevertheless his inspiration to his native
culture. He emphasizes Taoism in particular, to which he refers constantly in
his novels where such fundamental Taoist conceptions as return, dialogue, and
metamorphosis play a crucial role in the development of their plots. They are
thus characterized by Taoist esthetics. On another level, this esthetics
reminds one of the biography of Cheng himself as an artist in exile who has
lived these great Taoist themes of return, dialogue, and metamorphosis.
外文系系辦
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