※ [本文轉錄自 Philharmonic 看板]
作者: saracheng (sara) 看板: Philharmonic
標題: [情報] 女高音吳佳芬與古大提琴的對話
時間: Wed Feb 7 00:32:18 2007
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女高音吳佳芬與古大提琴的對話
時間:96年2月11日 (日) 13:30 ~ 15:30
地點:艋舺教會
演出者:女高音/吳佳芬、古提琴/ Dirk Moelants
Johann Schenck (1660-c.1720) :
Ouverture in G-major from “Scherzi Musicali” (1698) G大調序曲
Heinrich Schutz (1585-1672):
“Eile mich, Gott, zu erretten” from “Erster Theil kleiner geistlichen Concerten” (1636)
催促我吧上帝
“Ich will den Herren loben allezeit” from “Anderer Theil kleiner geistlichen Concerten”(1639)
我希望永遠向他祈禱
Biagio Marini (1594-1663):
“La Orlandina” from “Affetti Musicali” (1617) 歐蘭蒂娜
Barbara Strozzi (1619-1677):
“Moralita Amorosa” from “Cantate e ariette, op.3” (1654) 聖潔的愛
Giulio Caccini (1551-1618):
“Dolcissimo sospiro” from “Nuove Musiche” (1602) 最甜美的嘆息
“Movetevi a pieta” from “Nuove Musiche” (1602) 請憐憫我
Sigismondo d’India (1582-1629)
“Pianget’ occhi miei lassi” from “Le musiche” (1609) 我哭泣的眼
Giulio Caccini (1551-1618):
“Amarili, mia bella” from “Nuove Musiche” (1602) 阿瑪麗莉我的愛
Bartolome de Selma y Salaverde (c.1595-c.1640)
“Vestiva Hi Colli Pasegiato” from “Primo Libro, Canzoni, Fantasie et Correnti” (1638)
給柯利帕塞吉雅托
Barbara Strozzi (1619-1677):
“Non occorre ch'io ci pensi” from “Diporti di Euterpe, overo Cantate e arietta a voce sola, op.7” (1659)
不需要如此刁難我
Carolus Hacquart (c.1640-1701?):
Fantasia in e-minor from “Chelys” (1686) E小調幻想曲
Cornelis Thymanszoon Padbrue (c.1592-1670:
11ste Kusje: “Even als de lieve Roosen” from “Kusjes” (1631/1641)
親吻之歌 “像玫瑰一樣甜美”
Anonymous (after Giulio Caccini)
“Amarili, mijn schone” from “Livre Septieme” (1644) 阿瑪麗莉我的愛
Mr. de Sainte-Colombe (fl. 1658-1687):
Prelude in G-major from the Tournus manuscript G大調前奏曲
Antoine de Boesset (1586-1643)
“Je voudrais bien, O Cloris, que j’adore” from “Airs de cour” (1617-1642)
我希望我的克洛伊思能愛慕我
Jean-Baptiste de Bousset (1662-1725):
“Pourquoy, doux rossignol” from “Airs serieux et a boire” (1690-1699)
為什麼 ? 親愛的夜鶯 ?
Michel Lambert (c.1610-1696):
“Vos mepris, chaque jour” (1689) 每一天,你忽視我
Jean-Baptiste Lully (1632-1687):
“Air des Naiades” from Acis et Galatee (1686) 娜亞德絲之歌
Mr. de Sainte-Colombe (fl. 1658-1687):
Chaconne in D-minor from the Tournus manuscript D小調夏康舞曲
Jean-Baptiste de Bousset (1662-1725):
Air a Boire from “Airs serieux et a boire” (1690-1699) 飲酒歌
Mr. de Sainte-Colombe (fl. 1658-1687):
Gigue in D-major from the Tournus manuscript D大調基格舞曲
Tobias Hume (c. 1579-1645):
“Tobacco” from “Captain Hume’s Musicall Humors” (1605) 菸草之歌
Henry Purcell (1659-1695):
“Ah! How sweet it is to love” from Tyranic Love (1694?) 啊!戀愛是多麼甜美
Richard Sumarte (c.1590-c.1630):
“Whoope doe me no harme” from the “Manchester gamba tablature” 哭喊對我無傷
Tobias Hume (c. 1579-1645):
“What greater griefe” from “Captain Hume’s Musicall Humors” (1605)
多麼巨大的悲傷
Henry Purcell (1659-1695):
“Music for a while” from “Orpheus Britannicus, vol. II” (1692?) 音樂的瞬間
“If musicke be the food of love” (1692) 如果音樂是愛的糧食
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◆ From: 218.169.41.140