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※ [本文轉錄自 Philharmonic 看板] 作者: saracheng (sara) 看板: Philharmonic 標題: [情報] 女高音吳佳芬與古大提琴的對話 時間: Wed Feb 7 00:32:18 2007 免費入場 請大家來聽聽看喔 ============================================================================== 女高音吳佳芬與古大提琴的對話 時間:96年2月11日 (日) 13:30 ~ 15:30 地點:艋舺教會 演出者:女高音/吳佳芬、古提琴/ Dirk Moelants Johann Schenck (1660-c.1720) : Ouverture in G-major from “Scherzi Musicali” (1698) G大調序曲 Heinrich Schutz (1585-1672): “Eile mich, Gott, zu erretten” from “Erster Theil kleiner geistlichen Concerten” (1636) 催促我吧上帝 “Ich will den Herren loben allezeit” from “Anderer Theil kleiner geistlichen Concerten”(1639) 我希望永遠向他祈禱 Biagio Marini (1594-1663): “La Orlandina” from “Affetti Musicali” (1617) 歐蘭蒂娜 Barbara Strozzi (1619-1677): “Moralita Amorosa” from “Cantate e ariette, op.3” (1654) 聖潔的愛 Giulio Caccini (1551-1618): “Dolcissimo sospiro” from “Nuove Musiche” (1602) 最甜美的嘆息 “Movetevi a pieta” from “Nuove Musiche” (1602) 請憐憫我 Sigismondo d’India (1582-1629) “Pianget’ occhi miei lassi” from “Le musiche” (1609) 我哭泣的眼 Giulio Caccini (1551-1618): “Amarili, mia bella” from “Nuove Musiche” (1602) 阿瑪麗莉我的愛 Bartolome de Selma y Salaverde (c.1595-c.1640) “Vestiva Hi Colli Pasegiato” from “Primo Libro, Canzoni, Fantasie et Correnti” (1638) 給柯利帕塞吉雅托 Barbara Strozzi (1619-1677): “Non occorre ch'io ci pensi” from “Diporti di Euterpe, overo Cantate e arietta a voce sola, op.7” (1659) 不需要如此刁難我 Carolus Hacquart (c.1640-1701?): Fantasia in e-minor from “Chelys” (1686) E小調幻想曲 Cornelis Thymanszoon Padbrue (c.1592-1670: 11ste Kusje: “Even als de lieve Roosen” from “Kusjes” (1631/1641) 親吻之歌 “像玫瑰一樣甜美” Anonymous (after Giulio Caccini) “Amarili, mijn schone” from “Livre Septieme” (1644) 阿瑪麗莉我的愛 Mr. de Sainte-Colombe (fl. 1658-1687): Prelude in G-major from the Tournus manuscript G大調前奏曲 Antoine de Boesset (1586-1643) “Je voudrais bien, O Cloris, que j’adore” from “Airs de cour” (1617-1642) 我希望我的克洛伊思能愛慕我 Jean-Baptiste de Bousset (1662-1725): “Pourquoy, doux rossignol” from “Airs serieux et a boire” (1690-1699) 為什麼 ? 親愛的夜鶯 ? Michel Lambert (c.1610-1696): “Vos mepris, chaque jour” (1689) 每一天,你忽視我 Jean-Baptiste Lully (1632-1687): “Air des Naiades” from Acis et Galatee (1686) 娜亞德絲之歌 Mr. de Sainte-Colombe (fl. 1658-1687): Chaconne in D-minor from the Tournus manuscript D小調夏康舞曲 Jean-Baptiste de Bousset (1662-1725): Air a Boire from “Airs serieux et a boire” (1690-1699) 飲酒歌 Mr. de Sainte-Colombe (fl. 1658-1687): Gigue in D-major from the Tournus manuscript D大調基格舞曲 Tobias Hume (c. 1579-1645): “Tobacco” from “Captain Hume’s Musicall Humors” (1605) 菸草之歌 Henry Purcell (1659-1695): “Ah! How sweet it is to love” from Tyranic Love (1694?) 啊!戀愛是多麼甜美 Richard Sumarte (c.1590-c.1630): “Whoope doe me no harme” from the “Manchester gamba tablature” 哭喊對我無傷 Tobias Hume (c. 1579-1645): “What greater griefe” from “Captain Hume’s Musicall Humors” (1605) 多麼巨大的悲傷 Henry Purcell (1659-1695): “Music for a while” from “Orpheus Britannicus, vol. II” (1692?) 音樂的瞬間 “If musicke be the food of love” (1692) 如果音樂是愛的糧食 -- ※ 發信站: 批踢踢實業坊(ptt.cc) ◆ From: 218.169.41.140 -- ※ 發信站: 批踢踢實業坊(ptt.cc) ◆ From: 218.169.41.140