Dorian scale for guitar
Dorian 調式音階
The Dorian scale, or mode, is the second of the seven musical modes. It is
similar to the natural minor except for the raised sixth. The Dorian scale is
the minor scale that appears when a major scale is started from the second
note (second scale-degree). Thus, a C major scale played from "D" is a D
Dorian scale. This is why the term "mode" is more appropriate than "scale".
The D Dorian mode is the same as a C major. So what's the difference? There
is no difference; it's the chords that create the magic. Playing a D Dorian
scale over a C major chord will sound exactly like playing a C major scale
(because they are identical). However, playing a D Dorian scale over a D
minor chord will sound "Dorian".
Intervals: 1--½--1--1--1--½--1 ( 1 2 b3 4 5 6 b7 1 ) ( 2 3 4 5 6 7 1 2 )
Chord fit: minor triads, m7, m9
Phrygian scale for guitar
Phrygian調式音階
The Phrygian scale, or mode, is the third of the seven musical modes. It is
similar to the natural minor except for the lowered second. The Phrygian
scale is the minor scale that appears when a major scale is started from the
third note (third scale-degree). Thus, a C major scale played from "E" is an
E Phrygian scale. This is why the term "mode" is more appropriate than
"scale".
The E Phrygian mode is the same as a C major. So what's the difference? There
is no difference; it's the chords that create the magic. Playing an E
Phrygian scale over a C major chord will sound exactly like playing a C major
scale (because they are identical). However, playing an E Phrygian scale over
an E minor chord will sound "Phrygian".
Intervals: ½--1--1--1--½--1--1 ( 1 b2 b3 4 5 b6 b7 1 ) ( 3 4 5 6 7 1 2
3 )
Chord fit: Minor triads, m7
Lydian scale for guitar
Lydian調式音階
The Lydian scale, or mode, is the fourth of the seven musical modes. It is
similar to the major scale except for the raised fourth. The Lydian scale is
the scale that appears when a major scale is played with the fourth note
(fourth scale-degree) as the root. Thus, a C major scale played from "F" is
an F Lydian scale. This is why the term "mode" is more appropriate than
"scale".
The F Lydian mode is the same as a C major. So what's the difference? There
is no difference; it's the chords that create the magic. Playing an F Lydian
scale over a C major chord will sound exactly like playing a C major scale
(because they are identical). However, playing an F Lydian scale over an F
major chord will sound "Lydian".
Intervals: 1--1--1--½--1--1--½ ( 1 2 3 #4 5 6 7 1 ) ( 4 5 6 7 1 2 3 4 )
Chord fit: maj7, maj7#11
Mixolydian scale for guitar
Mixolydian調式音階
The Mixolydian scale, or mode, is the fifth of the seven musical modes. It is
similar to the major scale except for the lowered seventh. The Mixolydian
scale is the scale that appears when a major scale is played with the fifth
note (fifth scale-degree) as the root. Thus, a C major scale played from "G"
is a G Mixolydian scale. This is why the term "mode" is more appropriate than
"scale".
The G Mixolydian mode is the same as a C major. So what's the difference?
There is no difference; it's the chords that create the magic. Playing a G
Mixolydian scale over a C major chord will sound exactly like playing a C
major scale (because they are identical). However, playing a G Mixolydian
scale over a G major chord will sound "Mixolydian".
Intervals: 1--1--½--1--1--½--1 ( 1 2 3 4 5 6 b7 1 ) ( 5 6 7 1 2 3 4 5 )
Chord fit: 7th, 9th, 13th
Locrian scale for guitar
Locrian調式音階
The Locrian scale, or mode, is the seventh of the seven musical modes. It is
similar to the natural minor scale except for the lowered second and fifth.
The Locrian scale is the minor scale that appears when a major scale is
played with the seventh note (seventh scale-degree) as the root. Thus, a C
major scale played from "B" is a B Locrian scale. This is why the term "mode"
is more appropriate than "scale".
The B Locrian mode is the same as a C major. So what's the difference? There
is no difference; it's the chords that create the magic. Playing a B Locrian
scale over a C major chord will sound exactly like playing a C major scale
(because they are identical). However, playing a B Locrian scale over a Bmb5
chord will sound "Locrian".
Intervals: ½--1--1--½--1--1--1 ( 1 b2 b3 4 b5 b6 b7 1 ) ( 7 1 2 3 4 5 6
7 )
Chord fit: m7b5
Blues scale for guitar
藍調音階
The blues scale is similar to the minor pentatonic scale, but with an
additional lowered fifth. The lowered fifth, also known as the "blue note",
is essential in blues music. Ex: C blues scale consists of C, Eb, F, Gb, G
and Bb.
Intervals: 1½--1--½--½--1½--1 ( 1 b3 4 b5 5 b7 1 ) ( 6 1 2 b3 3 5 6 )
Chord fit: 7th chords, m7
--
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◆ From: 122.123.138.253
※ 編輯: shin696 來自: 122.123.138.253 (08/28 11:53)