Re: [議事] 荒木經惟和森山大道

[aloke (人生有一半是失眠)]

※ 引述《aloke (人生有一半是失眠)》之銘言：
: 想請問一下...突然想到的問題
: 1. 這兩個人在日本的攝影界(藝術界?)是屬於大師級的....
: 想請問的是他們帶給整個環境什麼而成為大師 ???
: 還是只是單純她們拍很久而且大家都喜歡 ???
: 2. 這兩個人在西方也算小有名氣，想請問西方是採用什麼觀點在
: 看這些日本攝影師 ?? (或西方藝術是怎麼看日本的攝影??)

找到一篇文章的 abstract

SOURCE:  Third Text no48 Autumn 1999. p. 65-70

The writer analyzes the discourse that underlies the reception of Japanese
artist Nobuyoshi Araki's photographic work in the West. Araki has dealt with
a range of subjects, from plants and animals to cities, but his representations
of the female body are indubitably the key to his success in Japan and in
the West. In the latter context in particular, which has become highly
sensitive to the representations of gender power relations, a photographic
practice so clearly based on the commodification of the sexualized female
body meets with an enthusiastic and largely uncritical reception. Although
problematic by Western standards, Araki's practice of representation is
 "exonerated" by means of an exoticized interpretation whereby the evocation
of "cultural difference" diverts critical attention away from
phallic-patriarchal conventions of representation.


所以說大家喜歡荒木經惟  對西方人來說是莫名其妙應該要被批判的  XD

然後西方人看荒木經惟，就把這個當作東方落後國家性別不平等的表現來"欣賞" ??


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◆ From: 60.241.97.6
※ 編輯: aloke           來自: 60.241.97.6          (10/29 00:09)
※ 編輯: aloke           來自: 60.241.97.6          (10/29 00:25)
→ aloke:當我們"談""藝術" 我們都在談 "西方藝術"，不過我們喜歡的
→ aloke:卻好像不見得是 "西方"藝術...(其實各學科好像都這樣)
推 Boyen:是阿  我也覺得西方看待日本攝影角度有點奇怪  但我理解不深
→ Boyen:很希望邱奕堅來回答這問題  :P
推 echo:那就去問他阿~
推 stfanchen:對呀，直接問，打電話去他公司就可以^_^
→ infoto:現在人應該在韓國了
推 euphorism:打電話問了嗎 記得po心得