※ [本文轉錄自 EwanMcgregor 看板]
作者: jcyl (窮...) 看板: EwanMcgregor
標題: [Miss Potter]影評
時間: Fri Nov 24 00:19:49 2006
業界權威Variety已經有了[Miss Potter]的影評
簡單的說，嗯，的確就是很[Finding Neverland]啦～
不只「主角」都一樣叫Peter
連劇情的「轉折」都很像，呵呵
（還有我剛剛想到, Renee跟Johnny Depp都是偽裝口音的美國演員....呵）
既然是前Miramax的Weinstein大哥負責發行，明年奧斯卡應該是會強力推銷
不過Variety提到，雖然[Finding Neverland]入圍了很多項，包括男主角
最終也只拿回一項配樂
那麼題材如此相似的[Miss Potter]..............?
http://www.variety.com/article/VR1117954107.html?categoryid=13&cs=1&nid=2566
"Miss Potter" has a lot in common with 2003's J.M. Barrie-inspired "Finding
Neverland": It's about a turn-of-the-century British children's author whose
most famous character is called Peter, it stars Academy favorites and the
plot involves a tragic loss.
"Neverland" was nominated for seven statuettes, including picture and actor,
while taking home just one, for original score.
Somewhat similar to the incorporation of Barrie's book characters in
"Neverland," Beatrix Potter's illustrations -- Peter Rabbit and Jemima
Puddleduck included -- come to life on screen in sequences interwoven with
the live-action drama.
Academy members will likely recall Chris Noonan's last helming effort, 1995's
"Babe," which also involved talking animals. Both pictures have a sweetness
that never gets sappy.
The Aussie, who scored director and screenplay nominations (the latter shared
with George Miller) for "Babe," hadn't found the right fit for his follow-up
until "Miss Potter."
This time, script was by Tony winner Richard Maltby Jr.
Renee Zellweger's performance as Potter is endearing and recalls her more
contemporary work in the "Bridget Jones" movies. (She was nominated for both
an Oscar and a Golden Globe for the first "Jones" picture.) The Potter role
is more serious, though not without levity, in the tradition of Jane Austen
characters.
Never-nominated Ewan McGregor, in heavy mustache, puts in solid work as
Potter's determined publisher and suitor Norman Warne. Two-time Oscar nominee
Emily Watson ("Breaking the Waves," "Hilary and Jackie") makes another
memorable supporting appearance as Norman's sister Millie.
Likely to strike a chord with Academy voters are the themes of an artist
struggling against all odds and Potter's conservationist bent (she amassed
4,000 acres of farmland, saving it from developers, and later bequeathed it
to the British people.)
Among the technical accomplishments that could make it into the kudo fray is
the work of costume designer and Oscar veteran Anthony Powell, Oscar-winning
production designer Martin Childs and cinematographer Andrew Dunn, who lensed
"The Madness of King George." Editor Robin Sales also could get attention for
moving the 92-minute picture along briskly and with great joy.
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刺眼啊～～～～
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