Re: [新聞] 葛萊美效應 21以73萬奪下第21週冠軍

[orangepekoe (小佛)]

※ 引述《likeaprayer (Dreamlover)》之銘言：
: http://0rz.tw/WZu9I Billboard官方新聞
: Adele's '21' Hits 21st Week at No. 1; Sells 730,000 Post-Grammys

告示牌詳細榜單還沒出來，先來一篇 Yahoo! 的報導：http://goo.gl/D2C2v
抓其中幾條重點摘要如下（省略的部分不少，請自行觀看原文）：

※「21」21冠！
　Adele熱潮延燒　紀錄多項刷新打平

受葛萊美獎大滿貫效益影響，Adele 的「21」本週最終開出73萬張的驚人銷量，
輕鬆蟬聯第21週冠軍，改寫了惠妮「終極保鏢」原聲帶合計20週冠軍的最高紀錄。
單週73萬也是 SoundScan 自1991啟用以來，在非聖誕假期開出的次高週銷紀錄。

（最高紀錄保持者為1998年「鐵達尼號」原聲帶，在情人節該週創下的84.8萬；
  2003年同樣橫掃葛萊美的 Norah Jones 則是開出62.1萬紀錄）

進榜至今52週全美銷售就輕鬆飆破735.3萬的「21」，
也是續2004年 Usher「Confession」（36週）以來的最快紀錄。
之間達到700萬門檻的有兩張專輯：
Nickelback 的「All The Right Reasons」（3年2個月）
Carrie Underwood 的「Some Hearts」（4年8個月）。

此外，進榜52週的「21」至今沒跌出過 Top 10，
滯留 Top 10 的週數紀錄至今也只有三張專輯達成：

52週：Fleetwood Mac「Rumours」                  （1977-78）
59週：Celine Dion「Falling Into You」           （1996-97）
84週：Bruce Springsteen「Born In The U.S.A.」   （1984-86）

預計要破 Celine Dion「Falling Into You」59週的紀錄亦不困難，
但能不能達到工人皇帝的84週紀錄？尚有難度，現在還不能判定。

另外，首張專輯「19」本週也爬到#4，
刷新了2009年獲得兩項葛萊美獎後創下的最高#10的紀錄。


※惠妮驟逝效益持續發酵
　精選刷新最高名次、單曲橫掃數位銷售榜

惠妮的「Whitney: The Greatest Hits」本週以17.5萬的銷量從#6跳升至亞軍，
刷新了2000年發行時最高第五名的紀錄。另兩張專輯也打入了 Top 50：
#72→#37  Whitney Houston (1985)
#80→#38  The Bodyguard OST (1992)

在 Hot Digital Songs 部分，本週共有24張單曲進榜，
領軍的「I Will Always Love You」以36.7萬自#3上升至#2，
僅次於 Katy Perry 新曲「Part Of Me」的41.1萬。

---

Week Ending Feb. 19, 2012. Albums: 21 For 21
By Paul Grein

Adele's 21 logs its 21st week at #1 on The Billboard 200, which is the
longest that any album has remained on top since Nielsen SoundScan began
tracking sales for Billboard in 1991. The album sold 730,000 copies in its
52nd week, which is more than any album has sold this deep into its chart
run. It blows past a record set nine years ago by Norah Jones' Come Away With
Me, which sold 621K in its 53rd week in March 2003. Both albums owed their
late surges to a Grammy sweep. Jones won five awards; Adele won six.

Other factors fueling Adele's surge: a 60 Minutes profile that preceded the
Grammys, Valentine's Day gift-giving and a string of three straight #1
singles.

The last album to log 21 weeks at #1 was M.C. Hammer's Please Hammer Don't
Hurt 'Em in 1990.

This is the longest that an album by a female solo artist has held the top
spot since the album chart became a weekly feature in 1956. 21 surpasses
Whitney Houston's The Bodyguard, which logged 20 weeks on top in 1992-1993.

Adele has a second album in this week's top five. Her 2008 debut album 19
jumps from #9 to #4, its highest ranking to date. Adele's two albums sold a
combined 817K copies this week, which is more than all the other albums in
the top 18 combined (809K).

21 is only the fourth album in the history of The Billboard 200 to spend its
first 52 weeks inside the top 10. Fleetwood Mac's Rumours spent its first 52
weeks in the top 10 in 1977-1978. Bruce Springsteen's Born In The U.S.A.
spent its first 84 weeks in the top 10 from 1984 into 1986. Celine Dion's
Falling Into You spent its first 59 weeks in the top 10 in 1996-1997.

21 tops the 7 million mark in U.S. sales in its 52nd week. It's the first
album to reach 7 million that quickly since Usher's Confessions hit that
plateau in its 36th week in November 2004. Two other albums that have been
released since Confessions have sold 7 million or more copies, but they both
took much longer to hit the 7 million mark. Nickelback's All The Right
Reasons took three years and two months. Carrie Underwood's Some Hearts took
four years and eight months.

21 has sold 7,353,000 copies, which is more than any album since All The
Right Reasons, which was released in October 2005. It has sold more copies
than any album by a female artist since Norah Jones' Come Away With Me, which
came out in February 2002. (The current sales tallies on those albums:
7,575,000 and 10,802,000, respectively.)

Pop Quiz: This is the eighth consecutive week at #1 for 21. What was the last
album to top the chart eight weeks in a row? (This is a tough question that I
bet practically no one will get right. Let that be a challenge to you.)
Answer below.

Shameless Plug I: 21 and Please Hammer Don't Hurt 'Em have something in
common. Both are those artists' sophomore albums. They are the most
successful sophomore albums in chart history. Over the weekend, I posted a
Chart Watch Extra in which I looked at the top 16 sophomore albums, in terms
of total weeks they held the top spot. The list includes such classic works
as Carole King's Tapestry and Eminem's The Marshall Mathers LP. I also
explore why sophomore albums are so often stellar. (Hint: The artists are
warmed up, revved up and eager to make their mark.) If you missed it, here's
a link.

Shameless Plug II: As noted, Adele's 21 this week surpasses Whitney Houston's
The Bodyguard soundtrack for the longest run at #1 by a female artist on The
Billboard 200 since 1956. This probably isn't the last time this year that
Adele will surpass a record set by Houston. Adele's Live At The Royal Albert
Hall logs its 12th week at #1 on Top Music Videos. Houston has held the
record for female artists on that chart since 1986, when her pThe #1 Video
Hits logged 22 weeks on top. I looked at similarities between the two women
in a Chart Watch Extra that went up yesterday. If you missed it, here's a
link.

Quiz Answer: The last album before 21 to spend eight consecutive weeks at #1
was Creed's Weathered, which was #1 for its first eight weeks in 2001-2002.

Whitney Houston's The Greatest Hits jumps from #6 to #2 in the first full
week following her death. The album thus surpasses its initial peak of #5 in
2000. This is similar to the situation with Michael Jackson's Number Ones,
which peaked at #13 when it was first released in November 2003. It, too, did
better after his death as fans reconnected with music that once meant a lot
to them. Number Ones was the best-selling album in the U.S. for six weeks in
the summer of 2009.

This is the highest-charting greatest hits album since Frank Sinatra's
Nothing But The Best debuted and peaked at #2 in May 2008. (Of course this
stat must carry an asterisk because Jackson's Number Ones didn't get to play
on the big chart.) Both Houston and Sinatra were born in New Jersey. Both
artists were nicknamed "The Voice."

This is Houston's highest ranking on The Billboard 200 since The Bodyguard
logged its 26th and last week in the top two in May 1993. The subsequent
Waiting To Exhale (which logged five weeks at #1) isn't considered a Houston
album.

Two other Houston albums are listed in this week's top 50. Whitney Houston
jumps from #72 to #37. The Bodyguard soundtrack jumps from #80 to #38.

The Greatest Hits is #1 on Top Catalog Albums for the second week. This is
the second time that Adele's 19 has been bumped out of the #1 spot on the
catalog chart by a resurging album by a fallen pop star. Amy Winehouse's Back
To Black was the top catalog album for four weeks last summer.

This marks the first time that two catalog albums have ranked among the top
five best-selling albums in the U.S. since September 2009, when the Beatles'
Abbey Road and Sgt. Pepper's Lonely Hearts Club Band ranked #3 and #5 among
all albums.

Grammy Nominees 2012 rebounds from #8 to #5 in its fourth week. The album's
resurgence isn't surprising. The telecast enjoyed its best ratings since the
1984 edition when a red-hot Michael Jackson became the first artist to win
eight awards in one night.

This week's top 10 includes winners from this year's Grammys (Adele, Lady
Antebellum and The Civil Wars), music that won in past years (Adele's
"Chasing Pavements," Bruno Mars' "Just The Way You Are" and several of the
hits on Whitney Houston's compilation) and, perhaps, winners from next year's
show. Paul McCartney and Van Halen will both be in the mix next year. They're
early front-runners for, respectively, Best Traditional Pop Vocal Album and
Best Hard Rock Performance. You read it here first.

The Civil Wars' Barton Hallow jumps from #41 to #10 in its 54th week. This is
the album's highest ranking to date. The album, which won two Grammys
including Best Folk Album, had climbed as high as #12.

Katy Perry's "Part Of Me" enters Hot Digital Songs at #1. It sold 411K copies
this week. But one song sold even more copies, if you combine the three
different versions that appear on this week's chart. That, of course, is "I
Will Always Love You." Whitney Houston's version sold 367K copies. Amber
Riley's version from Glee sold 36K copies. Jennifer Hudson's version from the
Grammys sold 15K. Grand total: 418K. Will "Part Of Me" also enter the Hot 100
at #1? You'll find out later today when we post Chart Watch: Songs.

Here's the low-down on this week's top 10 albums.

1. Adele, 21, 730,000. The album logs its 21st week at #1. This is its 52nd
week in the top 10. The album is #1 on Top Digital Albums for the 14th week.
It sold 176K digital copies this week. Six songs from the album are listed on
Hot Digital Songs, topped by "Rolling In The Deep," which rebounds from #10
to #3.

2. Whitney Houston, The Greatest Hits, 175,000. The album jumps from #6 to #4
in its 31st week. This surpasses the album's original #5 peak from May 2000.
This is the album's fourth week in the top 10. Twenty-four Houston songs are
listed on Hot Digital Songs, topped by "I Will Always Love You," which jumps
from #3 to #2.

3.  Various Artists, Now 41, 94,000. The album holds at #3 its second week.
The album has sold 236K copies.

4. Adele, 19, 87,000. The album jumps from #9 to #4 in its 122nd week on the
chart. This is its highest ranking to date. This is its third week in the top
10. Two songs from the album are listed on Hot Digital Songs. "Chasing
Pavements" vaults from #180 to #96. "Make You Feel My Love" jumps from #145
to #108.

5. Various Artists, Grammy Nominees 2012, 85,000. The album rebounds from #8
to #5 in its fourth week. It has been in the top 10 the entire time. The
album has sold 222K copies.

6. Van Halen, A Different Kind Of Truth, 58,000. The album drops from #2 to
#6 in its second week. No songs from the album are listed on Hot Digital
Songs, which does not bode well for the album.

7. Paul McCartney, Kisses On The Bottom, 58,000. The album drops from #5 to
#7 in its second week. "My Valentine" enters Hot Digital Songs at #177.

8. Bruno Mars, Doo-Wops & Hooligans, 38,000. The album rebounds from #30 to
#8 in its 72nd week. This is its 12th week in the top 10; its first since the
week ending March 6, 2011. Four songs from the album are listed on Hot
Digital Songs, topped by "Runaway Baby," which vaults from #152 to #33.

9. Lady Antebellum, Own The Night, 37,000. The former #1 album rebounds from
#17 to #9 in its 23rd week. This is its 12th week in the top 10. The album is
#1 on Top Country Albums for the 10th week. Two songs from the album are
listed on Hot Digital Songs. "Just A Kiss" dips from #83 to #84. "Dancin'
Away With My Heart" drops from #111 to #137.

10. The Civil Wars, Barton Hollow, 36,000. The album vaults from #41 to #10
in its 54th week. This is its first week in the top 10. Two songs from the
album are listed on Hot Digital Songs. "Barton Hollow" re-enters at #103.
"Poison And Wine" re-enters at #187.

Three albums drop out of the top 10 this week. The Fray's Scars & Stories
drops from #4 to #14, Dierks Bentley's Home drops from #7 to #24 and Drake's
Take Care drops from #10 to #12.

The Twilight Saga: Breaking Dawn: Part 1 jumps from #22 to #16 in its 15th
week. The album has climbed as high as #4. The album is #1 on Top Soundtracks
for the fifth week. It has been the top soundtrack to a theatrically-released
movie for 11 weeks.

Adele's Live At The Royal Albert Hall is #1 on Top Music Videos for the 12th
straight week. That's the longest run at #1 for a video by a female artist
since Barbra Streisand's Barbra—The Concert held the top spot for 16 weeks
from 1994 to 1996. The all-time record for a video by a female artist is
Whitney Houston's The #1 Video Hits, which held the top spot for 22 weeks in
1986. Will Adele top that mark? Place your bets. (Adele's DVD sold 74K copies
this week, bringing its total to 649K.)

Safe House was #1 at the box-office over the weekend. Ramin Djawadi composed
the score, which is not on the chart.

Coming Attractions: Tyga's Careless World is expected to be next week's top
new entry. Also due: fun's Some Nights and Sleigh Bells' Reign Of Terror.

--
※ 發信站: 批踢踢實業坊(ptt.cc) 
◆ From: 59.104.165.31
→ herohoney:Part Of Me空降單曲榜冠軍!!!!!!!!!!!!!!!!!!!!!!!!!!!!
推 woosung:whitney的保鑣 歷史紀錄首張單周破百萬是那一周??
→ orangepekoe:終極保鏢締造單週百萬紀錄是在進榜的第六週(93/01/09)
→ orangepekoe:當週的週銷量是106.1萬。這個紀錄後來在1998年被鄉村
→ orangepekoe:天王Garth Brooks的「Double Live」的108.5萬給打破。
推 aoisaiky:恭喜KP
推 gn02174082:Whitney Q___Q
推 Lovemei:不太懂"非聖誕假期開出的次高週銷紀錄"的意思???
推 q0917746577:是指僅次於"鐵達尼號"原聲帶的第二高吧!!!
推 aoisaiky:樓上正解!
→ q0917746577:KP棒棒 Whitney哭哭 Adele笑呵呵
推 Lovemei:但Tim McGraw在2004年8月時的Live Like You Were Dying
→ Lovemei:首週也有開出766,000張啊  一樣也不是在聖誕假期
推 braveshsu:新聞裡面講的應該是「非首週銷量」
→ braveshsu:首週最高銷量紀錄是'N Sync的No Strings Attached 240萬
推 grafan:原文的話有提到非發行的第一個月
→ grafan:以及非耶誕假期期間
→ grafan:鐵達尼的單周848,000是在發行兩個月之後的周,拜情人節之賜,
→ grafan:達成此紀錄的,Adele則達成銷售次高的紀錄(在此規則內)
推 woosung:這樣也怪怪的 惠妮是第六周破百萬 也不是第一個月阿
→ woosung:還是那周還是元旦假日那週? 所以算假日銷售
→ orangepekoe:惠妮創百萬週銷那週依然算在聖誕假期內。
→ orangepekoe:不過我發現我混寫在一起了，週銷量紀錄這段的原文應該
→ orangepekoe:是在告示牌的那篇新聞裡 XDD
→ orangepekoe:(聖誕假期的期間定義是11月底到隔年的1月初這段期間)
推 flutepj:看到Whitney還是有股哀傷感...精選Peak的更新竟是如此達成
推 Lovemei:難怪看了原文好幾次都沒看到XDD   謝謝小佛大~~~