作者cosmmo ()
看板Britney
標題[情報] Britney接受《滾石》雜誌專訪內容
時間Fri Mar 18 02:34:30 2011
你的寶貝兒子們喜歡你這張新專輯嗎?他們怎麼評價?
喜歡。他們一聽到這張專輯就開始跳舞,有意思的是他們有點疑惑:“這
個唱歌的Britney Spears跟媽咪真的是同一個人嗎?”
這些年來參與唱片錄製的工作是不是有很大改變?
每張專輯製作過程我都有全程參與。在錄音的時候我會很固執,我也只錄
我喜歡的歌,這也是為什麼我每張專輯都要做很久。在錄每首歌之前我必
須對它能夠一“聽”鍾情,我只唱那些能激發我心裡靈感的歌。這樣的歌
真的很少。我覺得這是一個很好的過程,因為我所有的音樂我都愛。我聽
說很多藝人不喜歡自己的某些歌,但我不會。
你對於新專輯整體的風格有什麼想法?
我想要做一張聽起來非常有新鮮感的專輯,一張夜店大碟,一張在晚上開
車的時候能讓你嗨起來的專輯,不過我需要它聽起來和市面上這些音樂與
眾不同。我還想多實驗我喜歡的各種類型的音樂,這也就是為什麼你能聽
到這張專輯有著流行、嘻哈、舞曲各種曲風混合的專輯。我真的想要利用
自己的嗓子好好地玩一番,真的很有意思。
在新專輯裡有一些真正的先鋒舞曲,例如在《Hold It Against Me》中引
入的Dubstep橋段。你是怎麼找到新風格的?
我一直在聽好多好多來自全世界的很多不同的音樂,而且我總傾向於那些
聽起來特別新鮮的,讓我想動起來的音樂。我不想我的新專輯哪首歌被誤
認為是其他藝人的。我覺得前兩首單曲,《Hold It Against Me》和《
Till The World Ends》聽起來都蠻獨特的,我想讓我的粉絲們了解到當
他們聽到《Femme Fatale》裡其他歌曲的時候會多麼新鮮。
你還經常去夜店嗎?喜歡什麼樣的舞曲?
我不再像以前那麼愛去夜店了,不過有去的話當然會跳舞。音樂這方面,
想要讓我愛上某首歌的話它必須得有什麼能夠打動我的。我喜歡節奏猛烈
但仍然有著優美旋律的舞曲,那才是我的最愛。
平時在家都聽些什麼?
我喜歡黑眼豆豆,還有 Deadmau5。我覺得我聽得很廣。最近不停的在聽
Robyn和Adele的歌,但是我也喜歡找一些還沒什麼人知道的新人的歌來聽
。我挺喜歡這樣的,因為感覺像是發現了別人不知道的小秘密。身邊的朋
友經常會推薦給我很多他們喜歡的新歌手,因為如此我才會知道Sabi,然
後與她合作了《(Drop Dead) Beautiful》。我一直想在專輯裡和新人合
作一下,Sabi真的很酷。
是什麼原因讓你想和Will.I.Am合作?合作感覺如何?
豆豆的歌聽起來總是很洗腦,他們做的都是有趣的流行/舞曲專輯,我很
愛Will.i.am的風格。我一直都想要和他合作一曲,要是以後還能合作就
更好了。他太有意思了。
自你的上張專輯之後Dr.Luke就聲名鵲起,現在和他一起工作和原來有什
麼不一樣嗎?
他沒怎麼變啊。我們好久以前就認識了。其實很多人不知道我在錄《
Blackout》那張專輯的時候就和他一起工作過了。他那時候就真的很棒
了,不過這些年來更厲害啦。
Dr. Luke 去年秋天說想要讓新專輯更加電音,更加硬派,你有過類似的
想法嗎?你覺得你有做到嗎?
當我們第一次一起談論《Femme Fatale》這張專輯的整體方向的時候,我
就知道我想做一張很先鋒很獨特的舞曲專輯,這就是為什麼在錄音過程中
我總是非常挑剔。我只想錄我一聽就愛上的歌。我也必須確保新專輯要不
同於《Circus》以及我以前的作品。我喜歡《Circus》,但我想要更加黑
暗更加前衛的東西。我不想錄一堆歌然後拼湊成一張專輯。《Femme
Fatale》自始至終都是有連貫性的。
你會怎麼定義Dr. Luke和Max Martin在錄音室裡的關係?
他們就像兩顆豌豆被包在豆莢裡般的哥倆好。
(轉自:BCN)
* * * * * * * *
Do your kids like the new record? What have they said about it?
Yes. They definitely dance to it but its kind of funny because
they are still confused .... It’s like, ‘who is this Britney
Spears singer in contrast to mommy?’
How has your involvement in the record-making process changed
over the years?
I have always been heavily involved in every album I have ever
made. I'm very stubborn when it comes to recording and will
only record songs I love, which is why it takes me a long time
to make an album. I have to feel connected before I record and
the song has to spark something inside me. Very few songs do
that. I guess it's a good process because I love all of my
music. I know there are a lot of artists that hate songs they
recorded. I don’t feel that way.
What was your idea for the overall sound of this album?
I wanted to make a fresh-sounding album for the clubs or
something that you play in your car when you're going out at
night that gets you excited but I wanted it to sound different
from everything else out right now. I also wanted to experiment
with all the different types of music I love which is why you
hear a mixture of pop, hip-hop and dance throughout the album.
I also really wanted to play with my voice and change up my
sound here and there which was really fun.
You hear traces of some real cutting-edge dance music on the
album – for instance, the dubstep break on “Hold It Against
Me." How do you find new sounds?
I listen to a lot of different music from all over the world
and I guess I just gravitate towards what sounds fresh and what
makes me want to move. I really didn’t want to record anything
on this album that could be mistaken for anyone else out there.
I think my first two singles, “Hold It Against Me” and “Till
The World Ends,” sound completely different from anything else
and I think when my fans hear the rest of Femme Fatale they'll
see how fresh every song is.
Do you still go out to clubs? What kind of dance music do you
like?
I don’t go out that much anymore but when I do, I definitely
like to go out and dance. I'm a big vibe person when it comes
to music so a song really has to make me feel a certain way in
order for me to fall in love with it. I love hard pounding
dance songs with really beautiful melodies over them. Those are
my favorites.
What kind of music do you listen to at home?
I love the Peas but I also love Deadmau5. I guess I’m all over
the place. Lately I have been listening to Robyn and Adele
non-stop but I also love to find new artists that very few
people know about. It's one of my favorite things to do because
it's like being part of a secret. Friends and people around me
are always showing me new artists that they love and that's how
I learned about Sabi and ended up working with her on “(Drop
Dead) Beautiful.” I have always wanted to feature a new artist
on one of my albums and she is really cool.
What led to your collaboration with willi.am? What was it like
working with him?
The Peas make incredibly catchy, fun pop/dance records and I
LOVE will.i.am's style. I have always wanted to do a song with
him and would love to work with him more in the future. He is
so interesting.
Dr. Luke has become a big-name producer in his own right since
your last album – is it different working with him now?
Not really. We have known each other for a really long time.
Most people don't know this but we actually worked together
when I was recording “Blackout.” He was incredible back then
and he has only gotten better over the years.
Dr. Luke said last fall that "I want [the sound] to get harder
in some ways, and maybe a little more deep into electronic --
grimier." Did you have that same agenda for the album? Do you
feel like you accomplished that?
When we first sat down to talk about Femme Fatale I knew I
wanted to make a dance album that was ahead of everything else
out there but unique to me which is why I was so picky with the
recording process. I only wanted songs that I immediately
connected to. I also wanted to make sure that this album was
completely different from Circus or anything else I had ever
recorded. I love Circus but I wanted something darker and
edgier. I also wanted to make an album and didn't want to just
record a bunch of songs and put them together. I think Femme
Fatale is really connected from start to finish.
What is it about Max Martin that makes you so comfortable
collaborating with him? How much bigger of a role did he take
on this album than he did for "Circus"?
Max played a huge role on this album and he has been there
since the beginning so there is such a huge level of trust. He
gets exactly what I am saying when I tell him what I want and
don’t want musically. His melodies are incredible and he is
always coming up with weird sounds, which I love. The whistle
on "I Wanna Go" still gets me every time I hear it. Who would
have thought of that? There is nobody I feel more comfortable
collaborating with in the studio.
How would you characterize the studio relationship between Max
and Dr. Luke?
They are two peas in a pod. It’s a total bromance.
http://www.rollingstone.com/music/news/britney-spears-on-her-new-album-her-favorite-music-and-working-with-will-i-am-20110317
http://bit.ly/gQRVoI
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◆ From: 61.230.14.218
※ 編輯: cosmmo 來自: 61.230.14.218 (03/18 02:38)
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