→ iskandar:本訪談中有誤 另在kandala網頁上刊登 114.42.94.71 11/02 00:50
Kandala Records 請到日本第一代自由爵士鼓手豊住芳三郎 (Sabu Toyozumi)，
在 10/02 (Sat) 於南海藝廊與台灣在地樂手合作，進行一場即興演出，
參與者包括板友 iskandar (黑狼)，負責噪音/電子聲響部份。詳細資料如下。
http://kandalarecords.tw
10/02 (Sat), 19:00, Nan-Hai Gallary (南海藝廊),
"What Happened to the Lacuna?" (Kandala Records), 100 NT.
Sabu Toyozumi (豊助芳三郎：打擊樂),
Luo Chao-Yun (駱昭勻：琵琶),
Lee Shih-Yang (李世揚：鋼琴),
Huang Yi-Rui (黃奕睿：薩克斯風),
Li Na-Shao (李那韶：吉他),
luponegro yingfan psalmanazar (黑狼：電子聲響與噪音)
Sabu Toyozumi (percussion)
http://www.geocities.jp/sabu_toyozumi/Happening.html
A drummer of the first generation of free jazz scene in Japan. Born in
Yokohama, 1943. In 1970s, he formed a trio with famous bass player Yoshizawa
Motoharu and sax player Takagi Mototeru and recorded his first album with the
New Direction led by guitarist Takayanagi Masayuki. After that , he
collaborated with many outstanding improvisation musicians, such as Kaoru
Abe, Derek Bailey, Peter Brötzmann, Han Bennink, and Takehisa Kosugi. He is
now in his concert tour around the world with the Taiwanese musician Luo
Chao-Yun.
Luo Chao-Yun (pipa)
http://www.myspace.com/pipawoman
The only PIPA (traditional Chinese guitar lute) player who plays traditional
music to free jazz improvisation and experimental avant-garde in the
contemporary music world. She is Taiwan’s famous professional Pipa
Soloist/improviser, Luo Chao-yun, is a virtuoso performer on the Chinese
traditional string instrument “PIPA”. She received the master's degree in
Pipa performance at the Central Conservatory of Music in Beijing. Luo
Chao-yun has performed recitals, concertos with orchestra,
multimedia-performances, improvisation performances, embassy concerts, and
etc. in Beijing (many times), Malaysia (2 times), Singapore, Portugal,
Pakistan, Nepal, Costa Rica (2 times), Italy, USA (3 times), UK (4 times),
the Netherlands (3 times), Brazil (2 times), Paraguay, Bulgaria, Japan (2
times), North Cyprus, Turkey, Indonesia (2 times), Philippines (2 times) and
etc. She also has master classes, and lectures in these countries, too.
Lee Shih-Yang (piano)
A Taiwanese pianist performing both classical music and improvised music,
especially in free improvisation field, his music emerges in a creative and
imaginary way with unpredictable development. He also leads an imprivisation
group “Caught Up In”. Among the artists he collaborated with are Gene
Coleman, Klaus Bru, Lin Hui-Chun, Luo Chao-Yun and etc..
Yi-Rui Huang (sax)
Childhood to the development of classical music as the background, mainly
flute and other woodwind-based. Learning drums at the age of 17, and joined
the rock music of learning. Or have joined during some of the rock band, is
still working with that for example: "Brain Roller". And important experience
of the experimental music and free jazz it is to join the band of "Heavy egg
hell dog" (2006-2010), on that time, it may be very few that public
performances of music types in Taiwan . Also at this time, and is often the
major venues in Taipei, livehouse or gallery performances, recordings
production also lot, in four years, has recorded about 400 archived works.
Worth mentioning : co-operation with André Van Rensburg performances,
performances of his album released in 2007, learned the music part of Zen is
a very special experience. And the philosophy of studying has also
strengthened the significance of the relationship between symbols and music.
These cumulative, including traditional forms of classical music or rock and
jazz improvisation, musicians can create overlapping into the sound.
Li Na-Shao (guitar)
http://soundcloud.com/linashao
Born in 1979, a guitarist still on the road between night and light. All
works he has done until now should be regarded as the movement of his passion
in the form of sounds.
luponegro yingfan psalmanazar (electronic noise)
http://www.myspace.com/yingfanoise
http://www.facebook.com/yingfan
http://yingfan.deviantart.com/
Begins bedroom recordings at teen under influences of
Geinou-yamashirogumi(i.e. “AKIRA”), Velvet Underground and Einstuerzende
Neubauten. Recordings broadcasted at Taipei's classic radio station in 1997.
Live performance since 2002, he plays varoius instruments, electronics,
laptop and junks in Taipei, Taichung and Kaoshiung.
During his abroad study years(2004~10), Yingfan get connected with Osaka's
underground/noise scene, and performed with artists and musicians such as the
choreographer SUMI Masayuki, er-hu(chinese fiddle) performer MUKAI Chie,
guitarist YAMAMOTO Seiichi, digital musician INAMI Sunao and ISHIGAMI Kazuya,
as well as Osaka's riot-girl duo AFRIRAMPO. Member of legengary scum band
ULTRA FUCKERS between 2008 and 2009.
Yingfan's works appear on several compilations such as”LOBO 2”, ”B!AS
sound arts”, ”C.U.E. COMPILATION 2”, “TAIWAN FREE SOUND”, etc. Albums in
limited copies, or released online are about 100 items.
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◆ From: 114.24.0.49
※ 編輯: mach 來自: 114.24.0.49 (09/15 09:48)
※ 編輯: mach 來自: 114.24.0.49 (09/15 09:48)
※ 編輯: mach 來自: 114.24.0.49 (09/15 09:51)
※ 編輯: mach 來自: 114.24.0.49 (09/15 09:52)
※ 編輯: mach 來自: 114.24.0.49 (09/15 09:52)
※ 編輯: mach 來自: 114.24.0.49 (09/15 09:52)
※ mach:轉錄至看板 NTU-Jazz 09/19 09:17
※ mach:轉錄至看板 Saxophone 09/19 09:18
※ mach:轉錄至看板 BandPlayer 09/19 09:18
※ mach:轉錄至看板 Weird_Sound 09/19 09:19
※ mach:轉錄至看板 Brit-pop 09/19 09:21
※ mach:轉錄至看板 jazz 09/19 09:38
> -------------------------------------------------------------------------- <
作者: mach (馬赫) 看板: JapaneseRock
標題: [情報] 聊聊豊住芳三郎
時間: Wed Sep 15 09:51:16 2010
大家好，這是日本自由爵士鼓手豊助芳三郎的簡短訪談，
訪問他的人有台灣的即興吉他手李那韶和 板友 iskandar 大大。
有興趣的朋友，請享用。
http://kandalarecords.tw
聊聊豊住芳三郎 (Sabu Toyozumi)
日期：2010/05/12 (Thu)
地點：ROXY ROOTS (臺北市信義區)
錄音、整理：李那韶
訪問、翻譯：黑狼
Q 1：請問您從什麼時候開始自由即興的演奏？
豊住：我從高中開始打鼓，後來參加了日本搖滾歌手 Mickey Curtis (b. 1938) 的樂團
“samurai”，並且到歐洲巡迴演奏。我也是從那個時候開始聽美國廠牌 ESP 的自由爵士
專輯，並且對於薩克斯風手 Albert Ayler (1934-70) 三重奏的鼓手 Sunny Murray 的演
奏方式產生很大的興趣。差不多 1969 年左右，我離團回到日本，遇到了當時日本自由爵
士的一些先驅。在貝司手吉澤元治 (1931-98) 的邀請下，我們跟薩克斯風手高木元輝
(1941-2002) 組成了三重奏。此外，參加的第一張錄音是與吉他手高柳昌行 (1932-91)
主導的 New Direction 系列作品。
Q 2：您與傳奇薩克斯風手阿部薰 (1949-1978) 合作時，有什麼特別的印象？
豊住；基本上，阿部在演奏的時候，永遠保持一馬當先的狀態，其他的樂手常常在後面窮
追猛趕。和他一起演奏，就好像要一起奔向死亡一樣。在日本的即興演奏家之中，他算是
我最欣賞的一人。
Q 3：在這 40 多年的音樂生涯裏，您也跟不少歐美樂手合作過，其中是否有最欣賞的演
出搭檔？
豊住：我曾經與英國吉他手 Derek Bailey (1930-2005) 、薩克斯風手 Lol Coxhill
(b. 1932)、德國薩克斯風手 Peter Brötzmann (b. 1941)、荷蘭的鼓手 Han Bennink
(b. 1942) 等歐洲的即興音樂家合作，其中令我印象最深刻的是荷蘭鋼琴家 Misha
Mengelberg (b. 1935; Instant Composers Pool Orchestra 創辦人) 。
Q 4：對於這次與琵琶的演奏，有沒有比較特別的想法？
豊住：基本上我是不問合演者的男女老幼，乃至於他的膚色血統。我總是以一顆開放的心
去面對我的合作夥伴。
Q 5：除了打鼓以外，您還有以人聲與二胡即興，請問您是在什麼機緣下接觸二胡的？
豊住：我從 2001 年開始拉二胡，但是五年後才正式在台上演奏。你知道鼓不是一種旋律
性的樂器，一直打難免顯得單調。所以我才會在演奏中穿插其他旋律性的樂器。在我高中
的時候除了打鼓還吹小號，可是吹小號的時候需要相當的肺活量，打鼓就沒有這個問題。
Q 6：請問您對音樂乃至聲音的看法？
豊住：如果要強加解釋，我認為打鼓演奏音樂，可以磨練一個人的性格。比方說，不管是
練習柔道也好，禪修也好，甚至只是種菜，也都能夠提升人的知性與感性，成就一個更趨
於完整的「人」。至於爵士樂，你必須用先用正確的方式去演奏，再建立自己的打法，再
談拒絕向普遍性妥協，更進一步確立自己的方向性。
Q 7：據說您喜歡親近大自然，自然對您的音樂帶來何種啟發？
豊住：我沒事的時候喜歡爬山，不論晴天下雨，有時候可能還是下雪天，但是自然的各種
聲響不僅讓我能鍛鍊身體，也讓我有更清楚的思路，給我即興演奏上的更多思考。這裏我
要順帶一提的是，海童道祖 (1910-92，原臨濟宗普化派) 在某些層次上，可稱為我的啟
蒙導師。他開創自己的日本簫吹奏風格，並且稱之為「法竹吹定」，不稱自己的演奏是音
樂，演奏某種樂器。事實上他討厭音樂。我不吹日本簫，但是我會像海童道祖一樣，以竹
杖當成一種健身器材，揮舞或促進肢體伸展。不管是瑜伽、拉筋、跑步…都可以增進你的
體力，以及你對音樂的思考。
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