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今年的 Woodstock 只有三個女生吧... 一天一個。
Sheryl Crow Act Short On Theatrics, Long On Emotion
Singer/songwriter's set recalled late blues-rocker
Janis Joplin's original Woodstock performance.
Contributing Editor Frank Tortorici reports:
ROME, N.Y. 霠Sheryl Crow was one Woodstock '99 performer who
would have fit right in at Woodstock '69.
Crow, whose voice alternated between a sexy growl and sultry purr for
much of the set, delivered plenty of raw emotion 霠not unlike that of the
late blues-rock belter Janis Joplin, who played the original Woodstock.
Backed by six musicians during her Friday afternoon set, the acoustic
guitar-wielding Crow eschewed theatrics. Instead, she electrified the
more than 200,000 people in the crowd by baring her emotions in song.
Though her type of rock differs greatly from that of such raucous bands as
Korn and Limp Bizkit, Crow managed to impress fans of all ages.
"She put everything into it," 19-year-old Michelle Frye of nearby Illiom,
N.Y., said. "She's one of the only acts that fits in with the [Woodstock]
spirit. Not like DMX or Ice Cube."
"We're here to experience everything," her 47-year-old mother,
Teresa Frye, said. "But Sheryl crosses generations."
Crow's expressive hazel eyes, more noticeable than ever because of her
new short haircut, were ablaze when she sang the line "Jesus loves me
I know" during "Am I Getting Through?," from her latest album, the
Grammy Award-winning The Globe Sessions.
A few guys in the audience kept screaming at Crow to "show off your
t--s." The singer/songwriter, dressed in a tight, white tank top and
orange pants trimmed with western-style fringe, teased them a few times
by making motions indicating she would lift her shirt. But she seemed to
grow tired of their yelling and said, "You'd have to pay way more than
you paid to get in to see my t--s."
During "Everyday Is a Winding Road," Crow tried to enliven her set by
dancing around without her guitar. She even squatted at the front of the
stage with her arms at her side and gave the audience a menacing glare.
That was as close to rowdy as the performance got, though Crow was
cheered when she covered Guns n' Roses' "Sweet Child o' Mine." "I'm
sure you can relate," she said, invoking the sex-and-drugs party attitude
of mischievous Axl Rose's wild band.
Meanwhile a line of women near the front of the stage allowed males in
the crowd to fondle their naked breasts.
"I like a good beer buzz early in the morning," Crow crooned in "All I
Wanna Do," the big hit from her breakthrough album Tuesday Night
Music Club. She closed the set by playing bass during a highly funky
"There Goes the Neighborhood," a single from her latest LP.
"I dropped acid on a Saturday night just to see what the fuss was
about," Crow cooed during the track.
--
gender is just an excuse, relationship shouldn't just be an excuse,
love is often an excuse, although sometimes these excuses are all
we have to hold onto,
death is the reason and living is the celebration
- Beth Orton
--
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