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※ 編輯: Yaie 來自: 140.112.223.95 (06/21 20:56)
課程名稱︰歐洲文學1800以後
課程性質︰外文系選修
課程教師︰張惠鍞
開課系所︰外文系
考試時間︰2006/06/16
試題 :
1. In The Guest, The Metamorphosis, Death in Venice and Death Constant Beyond
Love, one finds that the narrative has at its focus "a crisis." One may take
the crisis as a framing device in reading these stories. Try to produce a
reading for each case , by placing the narrative in that framework.
2. In Death in Venice, The Guest, Death Constant Beyond Love, and The Garden
of Forking Paths the reader is invited to read the narrative as grounded in
certain historical, social , political or ontological assumptions. How in
each case, the presumed outlook compels the reader to limit his reading
within the presumed closure?
3. Rilke's poem, "The Torso of Apollo," gives the interpretive authority to
the narrator and persuades the reader to go along. In The Metamorphosis, the
narrator allows the reader to hear and feel what is going on inside the
protagonist, yet keeps other characters as flat types. In The Garden of
Forking Paths the narrator allows the reader the information that he is
attempting one of the possible interpretations. How does the narrator's
narrative strategy tell of the assumed attitude towards text in each case?
4. "The Swan," The Metamorphosis, Death Constant Beyond Love all touches upon
"death." The figurative play of death in these pieces allows a reading of
"death" symbolically. On the symbolic level, how would you talk about death
in these
cases?
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