I'll say that's two different worlds to explore.
I suggest you to bring your orchestra excerpts to your
clarinet lesson and ask your teacher about it.
Not only the charaters of the music are different, your partners
are also different -- now you have to coordinate with other
strings. And even the sound of the woodwind section will
be different.
Do you have the A clarinet?
Even B-flat clarinet and A clarinet are different --- different
characters.
Also think about why composers use certain clarinet for a certain
passage -- why B-flat here, why A there, or even C.
I am talking about some general ideas about clarinet in an orchestra.
Not for a specific orchestra. *^_^*
But this is where you should begin with, I think.
The role of the clarinets in an orchestra (and how to play)....that's
really a major issue...and I don't think I will be able to talk about
it all here.
So, like I say, for being a subsitute in NTU Symphony, I will suggest
you to bring your orchestra excerpts to your teacher and learn
how to deal with the music first.
Or you can ask Hsuan-Yi Chen about it. I bet he has a lot to talk
about regarding this.
Suskind
※ 引述《chaconne (飛越赤道的候鳥)》之銘言：
: 跟管樂團的豎笛
: 演奏、或表達上有哪些不同?
: 畢竟交響樂團一部都只有一、兩支...
: 反正我覺得到交響樂團當槍手
: 當得有點一頭霧水就是了,
: 還請聽多管弦樂作品的人多多提供意見..3q3q
: (ex.KevinLan學長啊,可不可以說說心得啊~~,etc.)
--
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