※ 引述《KevinLan (Posaunenblaeser)》之銘言：
: ※ 引述《hschen (H-Y)》之銘言：
: : Instrument(II)
: : I played a phrase with subito piano following forte.
: : "if you wait after the echo of the forte passage decays, then
: : play the subito piano, the effect will be better" said my teacher.
: : So I wait for an extra 1/50 second..... did I delay the rhythm?
: : I like the wait.
: 或許這就是所謂心理上的滿足吧.....
: 唉...
: 這讓我想到一些別的事情...
: ...
: 不過看來這個時間 (6:00am) 不太適合我寫下來就是了.....
Here is my explanation.
Do you play in different music halls and practice rooms?
How do you play a staccato in a dry concert hall? How do
you play a staccato in a small practice room which
reverberates very strongly? Do you play it the same way?
Think about the following: as a performer, are you
responsible to the echo of your tone, too? Or you tell
people "there is too much echo in this hall", or
"there should be some echo to support my performance"?
What the audience hear is all. Your tone, echo, other noise, too.
What makes a concert is not only the "direct" sound from the instrument.
The echo is a part of music. So is the annoying cough, murmur, ....
Bad music hall ruins good musicians. Bad audience ruins good
musicians.
Good musicians adjust themselves to various (resonable) halls.
As my previous article. I am not good.
Hsuan-Yi Chen
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◆ From: magnum.phyast.p