※ 引述《hschen (H-Y)》之銘言：
: Karl Leister is an amazing musician whom I have heard live
: only once when I was 2nd year in NTU. I like his long phrases
: and amazing soft tone. Most of his recordings sounds "2-d"
: instead of "3-d". That is a shame for mosic lovers. He sounds
: more vivid in the woodwind quintet recordings released by SONY than all
: other performances released by all other labels. I don't have
: his earlier performances on DG, though.
我倒有一些.
例如他所錄的Spohr(有人知道他是誰嗎?又是一個因時代而有不同喜好度的人)的八重奏
以及他所錄的莫札特的三重奏.
根據目錄上得知,維也納˙柏林這團也在DG下錄有Danzi的五重奏
但我怎樣就是找不到,看來是已經絕版.
我印象最深的還是他們在DG時代的普朗克木管樂曲集.
最令我失望的還是他所錄的拉威爾的Introduction and Allegro.
另外,他們在DG時代錄的貝多芬/莫札特木管五重奏似乎有LD版
因為我看台灣某台播過,有趣的是看錄影比聽錄音精采的多.
順帶一題,我本來不喜歡他在DG時代錄的布拉姆斯三重奏/五重奏
尤其是前者.我一直覺得Sabine Meyer的版本好很多,尤其是cello
(我一度因此迷上Heirich Schiff)
後來發現這是音響的問題,家裡有沒有好的設備真是蠻決定性的.....
因為前天我在廣播中聽到Zoe介紹Eternity and a day的配樂
他說他聽到這個配樂立刻聯想到Brahms的豎笛五重奏
結果他一放,聽到豎笛第一句出來,我就知道那是Karl Leister的版本
但我沒厲害到可以聽出伴奏的弦樂四重奏是哪一家(ok,他錄了六次布拉姆斯五重奏)
只覺得這個版本非常好,因此我猜這是他與維也納弦樂四重奏或柏林獨奏家(B. Solisten)
合作的版本.
結果竟是阿瑪迪斯四重奏,也就是在DG下的錄音
最近在看CAMERATA的製作人"版井宏"寫的Leister介紹
他提到Karl Leister對布拉姆斯五重奏的看法.
他說,如果和較差的弦樂合作莫札特的豎笛五重奏
還有可能按照自己的音樂構想好好的演下去
但韋伯與布拉姆斯的五重奏則非有好的弦樂四重奏才能演出.
他那時(1980年代初期)自己認為他與阿瑪迪斯合作的那個錄音他自己最滿意.
哎,我還能說什麼哪?
: One of his Mozart concerto recordings (EMI, Berliner Phil + Karajan)
: is curious. This is the only one of his Mozart concerto that I have
: and he did take breath in the middle of phrases. Those are places which
: look like the end of phrases from revised editions for
: clarinet but are actually in the middle from the re-constructed
: besset clarinet music. I believe a knowledgable musician won't
: make that "apparent mistake". It is interesting to know why he
: did that. Perhaps Karajan "forced" him to do so. Szell "forced"
: his clarinetist Robert Marcellus changed many articulations in their
: recording on Mozart clarinet concerto, too. It is a shame that
: great musicians choose to interpret early music based on their
: personal taste in stead of knowledge.
他與聖馬丁合作的那個版本第三樂章有個有趣的地方
就是他把原本改給正常豎笛吹的提高八度的地方,"盡量"往下吹了.
說實話,我從前聽他的一些錄音(不只你說的),也有這種奇怪的換氣現象
到現在我還是非常不懂....
以他那種像是背著氧氣筒式的氣長,結果在一些平常人可以不換氣的地方換氣實在갊O相當不可思議的.
--
To be, to be, ten made to be.
--
※ 發信站: 批踢踢實業坊(ptt.twbbs.org)
◆ From: 163.29.38.72