※ 引述《jay (傑哥)》之銘言：
: ※ 引述《hschen (H-Y)》之銘言：
: : I want to withdraw this article. There is one mistake which is
: : a serious typo and makes Tony (EastEvil) misunderstood the heart
: : of the whole article. My apology to those who were confused
: : by my writing.
: : By the way, there are certainly "hard" reeds, but I bet "thick"
: : reeds only exist for non-English speakers.
: : Hsuan-Yi Chen
: : % Suskind used the words "thick, thin", instead of "hard, soft"
: : simply because she was writing for non-English speakers.....
: Can you tell us what the mistake is ?
: By the way, is the vibrating mode of reeds
: known from calculation(numerical or theoretical)?
: It's interesting, is there any reference paper?
: 阿傑
Hello A-Jay,
I will send a new article to Tony soon, then you will know
about the typo.
The vibrating modes of a reed is complicated. However,
people believe that only the first mode is relevant because
the sound wave for a saxophone or a clarinet is well below
even the first mode of a reed.
Reference, you can look for "Fundamentals of musical
acoustics" by A. Benade, or "the physics of musical
instruments" by Fletcher. They cited many articles from
"The journal of acoustic society of America", and "Acoustica",
even "Ann. Rev. of Fluid Mech.", which you know much better than I do.
Hsuan-Yi Chen
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