※ 引述《EastEvil (KURAGATAISUKI)》之銘言：
: [6.4] Is buzzing with only the mouthpiece good for my playing, and how
: There is a lot of disagreement on the benefits of buzzing.
: Arnold Jacobs says it is one of the best things a brass player
: can do. Joe Alessi said that he buzzed the entire time while
: ^^^^^^^^^^如果沒記錯,這人是紐愛的首席吧?
沒錯...
他在 85 年成為紐愛的首席...
伯恩斯坦在 DG 那套的馬勒全集之中的第二、三、七號都是他吹的...
基本上至少在那套馬勒裡面可以聽出他的聲音非常大聲...
而且音色又寬廣又漂亮...
聽起來真的讓人頗爽....:D~
: driving from Philadelphia, to Saratoga, and when he got there,
: he felt like a completely different player. Jeff Reynolds
: doesn't really like it, he feels it makes the lips to
: leathery. I say give it a try, but don't try and do it too
: loudly, and at first concentrate on low register buzzing.
: Buzz anything, nursery rhymes, songs on the radio, anything
: to get used to doing it, and I feel you will feel like a
: different player too. Remember, no too loud, nice and easy.
: 我特別把這個問題切下來...
: 因為我覺得某個最近在學小號的人的問題就是BUZZING太大聲(有點用力過度的感覺)
基本上同樣的這個第六篇還有寫...
buzzing 的原則一樣要像上樂器吹奏一樣...
要練習吹寬廣而好聽的音色...
: 事實上我建議雖然第六篇上全是TROMBONE的演奏問題
: 但有很多問題是共通的
: 很多人都應該看一看....
: (有些問題我聽的出來,但我不知原因為何,看了以後大概可以有些初步的了解)
: (比如說音準)
我看我可以考慮也去把那個 horn FAQ 抓來...
銅管演奏的東西資訊交流一下應該會有不少幫助...
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