※ 引述《EastEvil (Ibunkaiyu)》之銘言：
: : Both as performer and composer, Paul Hindemith was one of the leading
: : figuers in the musical life of the 1920s, with an influence extending far
: : beyond the German-speaking world. He was an excellent craftsman in every
: : sense of the word - not only a famous vertuoso on both violin and viola
: ^^^^^^^^打錯字,virtuoso.
哇咧... 竟然會打錯....*_*
: 老實說,我還真不知道他會拉violin,但我知道他是個可怕的中提琴家
: (聽說過關於他的中提琴奏鳴曲的事了吧....)
: 不過這也沒啥大不了的,有太多人拉小提琴兼中提琴的,理論上差不多吧.
註解給旁觀的人看好了:
他的 viola 協奏曲需要在一分鐘內拉九百多個音符...
...
呵呵呵...
: : Kammermusik ( Chamber Music ) Nos. 1 to 7 was the functionally neutral
: : title which Hindemith gave to a series of seven works written between
: 搞木管五重奏的,大約沒有人不演他的kammermusik的吧?
^ 德文的名詞字首要大寫喔...
hm...
這手我還沒聽過...
改天去找找看...
聽聽看是什麼樣的曲子...
: : 1922 and 1927 and involving a markedly virtuoso, concertante style. ( With
: : the exception of the first piece, all are solo concertos with
: : chamber-orchestra accompaniment.) Older techniques and forms are revived
: : and forms are revived here in a variety of interesting ways. These seven
: : Kammermusiken were followed, between 1926 and 1930, by four Konzertmusiken
: : ( Concert Musics ), which reveal a certain suggestion of ostentation and
: ^^^^^^^^^^^^^^果然是寫了不只一首.
這樣的標題說實在太廣泛了...
以他這樣多產的作曲家來講要只有一首也不太容易....:Q
: : Hindemith's Concert Music for String Orchestra and Brass (1930) was
: : commissioned by Sergei Koussevitzky for the fiftieth anniversary of his
: : world-famous Boston Symphony Orchestra, the quality of whose brass section
: 補充一下,最近市面上(日本啦,台灣我不知道)出了一張BSO的前小號首席的CD
: 不知papl有買乎?
就是阮一凡寫的介紹裡面的那個?
: : rapid "motoric rhythms" that are so typical of the composer, while a
: : jazz-like melodic phrase - apparently borrowed from Darius Milhaud's ballet
: : La cr'eation du monde ( The Creation of the World ) - adds its cheeky
: : contrapuntal voice.
: 最後終於聽出來了...
: 否則我的名聲就這樣毀了 :P
呵呵...
這首聽起來夠爽吧?
: : As early as April 1933 Hindemith was informed by his publisher that a
: : considerable number of his earlier works had been banned as examples of
: : "cultural Bolshevism" ( 文化的布爾什維克主義. 複習一下歷史吧: Bolshevik:
: : 1917 年取得政權之蘇俄共產黨之擁護者. ) His works were forbidden to be
看到這裡實在覺得這些被扯上政治的作曲家亂可憐的...
在獨裁政權下連什麼作曲子都要被人管....:QQ
: : 註: 這是另外一個由 Koussevitzky 委託作曲家創作給 Boston SO 精彩作品的例子.
: : 這首 Eb 大調交響曲也是十分的精彩, 首樂章可以說是從頭爽到尾,
: : 不聽可惜啊. :Q
: Tony曰:同意.
另外一些類似的例子還有 Bartok 的管絃樂協奏曲等精彩的曲子...
這樣的邀請還真是造福不少聽眾啊....|D
: : and Symphonic Metamorphoses on Themes of Carl Maria von Weber. The later
: 我第一次聽到這曲子是BPO的音樂會.
: 該場音樂會中只有兩首曲目:蕭士塔高維契第七交響曲及這首.
: 指揮是海汀克,十分精采.令我印象深刻.
你說的就是那個不小心被你洗掉的錄影是吧?
: : refasioned and reworked in an altogether witty and subtle manner, thus
: : rendering the originals barely recognizable.
: 這首不用多說了,已經有管樂版的錄音.
: 大約最容易找的是TKWO的版本.
: 專輯名稱就叫"交響的變容".
: 錄的好不好我就不清楚.
: 得請TKWO專家papl先生說明一下(如果他有買的話)
呵呵呵...
papl 學長出來說明一下吧....:D
: 我手邊有的是伊利諾大學的版本,固是光芒萬丈,非常傑出.
: 其實亨得密特先生寫過多的器樂曲多的排山倒海
: 豎笛奏鳴曲,長笛奏鳴曲,法國號奏鳴曲,英國管奏鳴曲....etc
: 各式各樣的重奏組合也很多.
: SONY不是有張顧爾德和一堆銅管演奏者合作的亨得密特音樂乎?
喔...
唱片行顧爾德的東西都是一大排...
我沒仔細看似乎沒注意到...
改天去找找.....
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