※ 引述《EastEvil (KIRAKIRAHIKARU)》之銘言：
: As the title.
: 我記得應該前面有討論過,所以沒什麼好多說的
We can discuss many many years on this misterious piece.
: 順便引用陳宣毅先生的話替Emma小姐平反一下
: "如果她在你面前吹,我保證你覺得她厲害的很"(大意如此吧)
: 我現在越來越覺得如此,即使他不在我面前吹,我就覺得她很厲害了.
Did I say that? I heard her "encore" a couple of months ago.
I understand she is great. She feels music and expresses it.
What else do I want from a performer? Of course one CD does not
make an artist.
: 前幾天,我在車上聽到有人放Alfred Prinz的版本,我覺得好的要死
: 又更前幾天,我也覺得Paul Meyer的版本很棒.
: 田中凡先生總是跟我說Michael Portal的版本多棒多棒,我應該去買.
: 後來我在香港又買了個Richard Stoltzman的錄音
I thought we should learn more 20th century music because that
is the sound of our times. Now I still would like to find some
modern stuff that attracts me. On the other hand, there are pieces
composed timelessly. Mozart's most music falls in this category.
Mozart clarinet concerto is a special gift for "besset"
clarinet. What we do on a clarinet or on a besset clarinet,
how we think of its lost original text or existing revised
"clarinet editions" actually is an excellent example of how
research in musicology influences performance. I think the
trend is, the scholarly approach is winning as time goes by.
For performances which are influenced by great masters of the past,
Wlach (with Karajan), Prinz, Marcellus, Lancelot all serve this end.
These early recordings shows the simple side of Mozart, often interpreted
in "romantic" style. I do not mean romantic, I mean "romantic".
By the way, if someone have a copy of that Wlach-Karajan recording issued
by EMI, please write something...... Wlach is a famous Mozart interpretor.
Sabine Meyer played it in a more scholarly-idea oriented way. She
played more close to 18th century practice. However, no improvised
ornamentations were added in her recording.
Antony Pay, Collin Lawson are period performance experts, they really
try to play it 18th-century in all ways. Notice their choice of
articulation and improvised ornamentations.
What one likes may not be Mozart's favorite interpretation. That is
a part of performance art. I don't bother with "XXX-tradition" too much.
Tradidion is something that changes with time. People forget things,
people misunderstand things. We are listening to "distorted" interpretation
of early music everyday. Just one point, most clarinet players are still
unwilling to get a besset clarinet to play Mozart's clarinet concerto and
still insist listening to early recordings, no matter how little people knew
Mozart 40 years ago.
Well, forget about all these discussions and get your favorite recording
of Mozart clarinet concerto, listen to it.
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