※ 引述《hschen (H-Y)》之銘言：
: ※ 引述《EastEvil (KIRAKIRAHIKARU)》之銘言：
: : As the title.
: : 我記得應該前面有討論過,所以沒什麼好多說的
: We can discuss many many years on this misterious piece.
嗯,也許我這句話說的太過分了一些.
: : 順便引用陳宣毅先生的話替Emma小姐平反一下
: : "如果她在你面前吹,我保證你覺得她厲害的很"(大意如此吧)
: : 我現在越來越覺得如此,即使他不在我面前吹,我就覺得她很厲害了.
: Did I say that? I heard her "encore" a couple of months ago.
: I understand she is great. She feels music and expresses it.
: What else do I want from a performer? Of course one CD does not
: make an artist.
呵呵,總之我比較開始了解企鵝評鑑為何如此欣賞她,不光只是民族情結.
因此我也開始買了一些她的唱片-->雖然我的第一張小協奏曲的CD就是她的版本
但很有一段時間,我看到這個名字就敬而遠之.
: I thought we should learn more 20th century music because that
: is the sound of our times. Now I still would like to find some
: modern stuff that attracts me. On the other hand, there are pieces
: composed timelessly. Mozart's most music falls in this category.
: Mozart clarinet concerto is a special gift for "besset"
basset.
我想你的時差還沒調過來呢. :PP
: By the way, if someone have a copy of that Wlach-Karajan recording issued
: by EMI, please write something...... Wlach is a famous Mozart interpretor.
我有這張,好像lyrix先生收集了很多他的唱片.
聽過之後我可以想像為什麼日本N大名盤老是給它的版本如此的高評價
在那樣的錄音品質下,竟然會有這麼純的聲音
可見他的音色是如此的好.
所以,也難怪日本要說Karl Leister是Wlach的"正統"音樂後繼者
不過,我很討厭所謂的"歷史錄音",因為總會有很多雜音
: Antony Pay, Collin Lawson are period performance experts, they really
: try to play it 18th-century in all ways. Notice their choice of
: articulation and improvised ornamentations.
我覺得同樣是英國人,同樣是專注於古樂演奏上
Collin Lawson和Pay的聲音有很大的差異
Lawson的聲音比較像Alan Hacker(也許他們是在同一家訂作的古豎笛 :P )
而Pay的聲音跟他們很不同.
當然我比較喜歡Pay.
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