※ 引述《EastEvil (KIRAKIRAHIKARU)》之銘言：
: : Mozart clarinet concerto is a special gift for "besset"
: basset.
: 我想你的時差還沒調過來呢. :PP
I did not wear my glasses while typing that message. That's why, I guess.
: : By the way, if someone have a copy of that Wlach-Karajan recording issued
: : by EMI, please write something...... Wlach is a famous Mozart interpretor.
: 我有這張,好像lyrix先生收集了很多他的唱片.
: 聽過之後我可以想像為什麼日本N大名盤老是給它的版本如此的高評價
: 在那樣的錄音品質下,竟然會有這麼純的聲音
: 可見他的音色是如此的好.
: 所以,也難怪日本要說Karl Leister是Wlach的"正統"音樂後繼者
Really?? Alfred Prinz is a student of Wlach. I don't know who
is Karl Leister's teacher. Remember Wlach played in Vienna (correct me
if I am wrong).
On the other hand, being a performer, I guess one is seeking to find
something other than "teather's idea". If Alfred Prinz is nothing but
a student of Wlach, he should not be admired as "the" Alfred Prinz.
: : Antony Pay, Collin Lawson are period performance experts, they really
: : try to play it 18th-century in all ways. Notice their choice of
: : articulation and improvised ornamentations.
: 我覺得同樣是英國人,同樣是專注於古樂演奏上
: Collin Lawson和Pay的聲音有很大的差異
: Lawson的聲音比較像Alan Hacker(也許他們是在同一家訂作的古豎笛 :P )
I thought Alan Hacker played on modern basset clarinet when he made his
first Mozart clarinet concerto recording in the 70's. He seems to own
some period instruments, though.
Lawson played on a period instrument. Tony Pay has not-so-authentic
basset clarinets. His basset clarinets look more like longer ordinary
clarinets (so is Charles Neidich's), Lawson has a more basset-like (shape)
clarinet. You can check on "Mozart clarinet concerto" by Lawson, that
small book you "copied" from mine.
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