※ 引述《Marsaliz (Starving Physicist)》之銘言：
: A little experience in America. It's almost impossible that each person
: in the audience knows when he/she is supposed to applaud. I think every
: orchestra more or less experiences this kind of situation. As long as it
: doesn't disturb the performance and doesn't happen during the music (of
: course I mean the classical music.) that should be fine.
可惜指揮在第三接第四樂章時...
指揮都對觀眾做了手勢、樂團聲音都直接下去了還是有人拍...
其實這首曲子的氣氛是不該那麼容易讓人想拍手的...
尤其在第一樂章結束的時候....~_~
: Some people's (I mean music professional)
: philosophy is that the concert hall is not a church. You applaud as long as
: you feel the atmosphere is right. Litsening to music is to have fun, not to
: take a class or something. Of course it is great to teach kids the basic
: structure of a symphony and the basic (traditional?) behavior during a
: classical concert. But don't expect you can find an audience behaving
: like you expected.
只是情況好像比這樣再糟一些...
那些拍手的人在整個演出中間都坐立不安...
尤其是有些小孩在中間一段小聲的豎笛 solo 時扭來扭去...
衣服還敲到護欄發出很大的聲音...
還有些大人連在這種關鍵時刻都可以顯得很浮躁...
如此跟以上哲學無關...
這場賑災音樂會顯然是來了一些本來不是聽古典音樂的人...
除了這場以外...
兩天晚上的演出觀眾都沒出問題...
大家都聽的很高興...
我想在台灣畢竟不用預期觀眾會有一套特別的哲學....:QQ
(至少在歐洲的有些場合也不見得行得通...)
(有興趣可以寫封 email 問問天上 or 地下的華格納....:Q)
至於到底該不該拍手...
我想自從開始有作曲家特別安排一些心境交接的樂章以後...
就也不見得是該由觀眾自己來決定...
今天會有這麼多人在網路上抱怨...
就是好好一首曲子的氣氛被扯的七零八落..#@%@#%...
對於不是慣例的事情...
如果有人有拍手的自由...
那當然別人也有抱怨的自由.....
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