1.科目：Philosophy of Art
2.地點：臺北市汀州路2段219號2樓
3.時間：預計 30 September 2008 開課,（或延後一至兩週）
each Tuesday 6:30-9:00 pm
4.希望待遇：課程學費：全期7800元，每四堂2800元
學生優惠：全期6600元，每四堂2400元
5.教師性別：男
6.學經歷：Prof. Dr. Gerald Cipriani
http://www.wretch.cc/blog/agathe2006/27385302
7.連絡方式：02-23690458；0968064143 劉先生
8.課程介紹：
全英語小班授課，並有教學助理課堂協助。可加強學員對西方文化、社會
及哲學思想之認識和理解；同時鍛鍊英語表達、討論思辯及學術寫作的能力。
並可提供英美大學研究所之入學申請諮詢，及"writing sample"之寫作指導。
Critical reflections on the nature of art and how we interpret it.
Content:
This series of seminars will reflect on the question of the interpretation of
art. Examples will be chosen from visual, musical, or textual forms of art
practices. ‘Interpretation’ in art is the field of investigation of a branch
of philosophy that is called ‘hermeneutics’. We could say that the artwork
is the bearer of a message in which we see a particular meaning, and the task
of hermeneutics is to understand what is happening when one perceives such a
meaning in the artwork. Therefore, the questions that we will strive to answer
are: What is the nature of the message that the artwork is sending to us, and
how do we grasp it? What kind of meaning are we to find in, or discover from,
the artwork, and correspondingly, what kind of interpretative method are we to
use? The audience will therefore be introduced to the philosophical hermeneutics
of Hans-Georg Gadamer (1900-2002).
There are however many ways to interpret an artwork. Martin Heidegger
(1889-1976), for example, thought that art had the ability to reveal a
particular form of truth, when Maurice Merleau-Ponty (1907-1961) saw artistic
experience as pre-objective and above all embodied in the world. Other
interpretative perspectives will include art as a language to be analysed
(Ludwig Wittgenstein, 1889-1951); the imaginative value of art (Jean-Paul
Sartre 1905-1980); deconstruction (Jacques Derrida, 1930-2004); the sublime
dimension of art (Jean-Francois Lyotard, 1928-1998); and the representational
nature of art (Gerald Cipriani 1963- ). The lectures will also address the
issue of taste and value judgement. Should such a judgement be seen as
completely subjective or universal? Should there be a standard of taste?
The audience will therefore be introduced to the aesthetics of David Hume
(1711-1776) and Immanuel Kant (1724-1804).
Indicative Schedule:
(1) Tuesday 30 September 2008, 6:30-9:00 pm:
Introductory Lecture: How can philosophy teach us something about art?
Bois, Y-A. (1990) Painting as model.
(2) Tuesday 7 October 2008, 6:30-9:00 pm:
The standard of taste: David Hume (1711-1776)
Hume, D. (1757) ‘Of the standard of Taste’ in Art and its Significance, ed.
Ross, S. D. (1994).
(3) Tuesday 14 October 2008, 6:30-9:00 pm:
Art and judgement: Immanuel Kant (1724-1804)
Kant, I. (1790) Critique of judgement.
(4) Tuesday 21 October 2008, 6:30-9:00 pm:
The ontological question of art between being and truth: Martin Heidegger
(1889-1976)
Heidegger, M. (1971) ‘The origin of the work of art’ in Poetry, language,
thought.
(5) Tuesday 28 October 2008, 6:30-9:00 pm:
Representation and presencing in the art of the still-life, today and after
Aristotle
Cipriani, G. (2003) The calm movement of Phusis revealed - Representation and
presencing in the still life.
(6) Tuesday 4 November 2008, 6:30-9:00 pm:
Art and Imagination: Jean-Paul Sartre (1905-1980)
Sartre, J.P. (1940) The psychology of the imagination.
(7) Tuesday 11 November 2008, 6:30-9:00 pm:
Art and experience, an embodied nature: Maurice Merleau-Ponty (1907-1961)
Merleau-Ponty, M. (1964) ‘Cezanne’s doubt’ in Sense and non-sense.
(8) Tuesday 18 November 2008, 6:30-9:00 pm:
Meaning, art, and the hermeneutical question: Hans-Georg Gadamer (1900-2002)
Gadamer, H.-G. (1976), Philosophical hermeneutics.
(9) Tuesday 25 November 2008, 6:30-9:00 pm:
Art and the Paths of Interpretation: Around Balthus’s The Street
Ricoeur, P. (2007) The conflict of interpretations: Essays in hermeneutics.
(10) Tuesday 2 December 2008, 6:30-9:00 pm:
Deconstructing art: Jacques Derrida (1930-2004)
Derrida, J. (1994) The truth in painting.
(11) Tuesday 9 December 2008, 6:30-9:00 pm:
Art and the postmodern sublime: Jean-Francois Lyotard (1928-1998)
Lyotard, J.F. (1993) ‘The sublime and the avant-garde’ in Postmodernism -
A reader, ed. Docherty T..
(12) Tuesday 16 December 2008, 6:30-9:00 pm:
Analysing the language of art: Ludwig Wittgenstein (1889-1951)
Wittgenstein, L. (1953) Philosophical investigations;
Wittgenstein, L. (1966) Lectures and conversations on aesthetics, psychology
and religious belief.
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