精華區beta poetry 關於我們 聯絡資訊
In These Dissenting Times "To acknowledge our ancestors means we are aware that we did not make ourselves, that the line stretches all the way back, perhaps, to God; or to Gods. We remember them because it is an easy thing to forget: that we are not the first to suffer, rebel, fight, love and die. The grace with which we embrace life, in spite of the pain, the sorrows, is always a measure of what has gone before." IN THESE DISSENTING TIMES I shall write of the old men I knew And the young men I loved And of the gold toothed women Mighty of arm Who dragged us all To church. THE OLD MEN USED TO SING The old men used to sing And lifted a brother Carefully Out the door I used to think they Were born Knowing how to Gently swing A casket They shuffled softly Eyes dry More awkward With the flowers Than with the widow After they'd put the Body in And stood around waiting In their Brown suits. WINKING AT A FUNERAL Those were the days Of winking at a Funeral Romance blossomed In the pews Love signaled Through the Hymns What did we know? Who smelled the flowers Slowly fading Knew the arsonist Of the church? WOMEN They were women then My mama's generation Husky of voice -- Stout of Step With fists as well as Hands How they battered down Doors And ironed Starched white Shirts How they led Armies Headragged Generals Across mined Fields Booby-trapped Ditches To discover books Desks A place for us How they knew what we Must know Without knowing a page Of it Themselves. THREE DOLLARS CASH Three dollars cash For a pair of catalog shoes Was what the midwife charged My mama For bringing me. "We wasn't so country then," says Mom, "You being the last one -- And we couldn't, like We done When she brought your Brother, Send her out to the Pen And let her pick Out A pig." YOU HAD TO GO TO FUNERALS You had to go to funerals Even if you didn't know the People Your Mama always did Usually your Pa. In new patent leather shoes It wasn't so bad And if it rained The graves dropped open And if the sun was shining You could take some of the Flowers home In your pocket book. At six and seven The face in the gray box Is always your daddy's Old schoolmate Mowed down before his Time. You don't even ask After a while What makes them lie so Awfully straight And still. If there's a picture of Jesus underneath The coffin lid You might, during a boring sermon, Without shouting or anything, Wonder who painted it; And how he would like All eternity to stare It down. UNCLES They had broken teeth And billy club scars But we didn't notice Or mind They were uncles. It was their job To come home every summer From the North And tell my father He wasn't no man And make my mother Cry and long For Denver, Jersey City, Philadelphia. They were uncles. Who noticed how Much They drank And acted womanish With they do-rags We were nieces. And they were almost Always good For a nickel Sometimes a dime. THEY TAKE A LITTLE NIP They take a little nip Now and then Do the old folks Now they've moved to Town You'll sometimes SEe them sitting Side by side On the porch Straightly As in church Or working diligently Their small City stand of Greens Serenely pulling Stalks and branches Up Leaving all The weeds. SUNDAY SCHOOL, CIRCA 1950 "Who made you?" was always The question The answer was always "God." Well, there we stood Three feet high Heads bowed Leaning into Bosoms. Now I no longer recall The Catechism Or brood on the Genesis Of life No. I ponder the exchange Itself And salvage mostly The leaning. Alice Walker