soul
a soul, if exists, must perch
in adagio con variazioni as a
fragment of respighi’s lyrical
verse or it must exist as an
abstract contrapuntal, bearing
concreteness in franck’s melodic
terse. it must uphold itself to be
a post romanticist, an adamant
follower of saint-saens and faure.
truth is apparently shown: subtle
syncopation of human passion
is what defines a beautiful soul.
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