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UnStumm─德國科隆即興影像與聲響計畫 A Project For Improvised Film & Music 時間 Time/ 2019/07/01(一) 19:30入場door opens / 20:00開演starts 地點 Venue/ 江山藝改所(新竹市東區興達街1號) Jiang Shan Yi Gai Suo (No. 1, Xingda St., Hsinchu City) 表演者 Performers/ Claudia Schmitz (DE) / 即時影像 live video Nicola L. Hein (DE) / 吉他 guitar 入場贊助 Donation For Entry/ $300-200 自由定價 Self-pricing Donation ////////////////////////////////////////////////////////////////////////////// 關於表演 About The Performance/ UnStumm跨媒體即興計畫於德國科隆發起,Nicola Hein與Claudia Schmitz近年帶著此計 畫在各國展演,讓來自德國及不同地方的音樂人及視像藝術家合作共演。Stunmm,在德文 指的是「啞、沉默、缄默」,Unstumm,則表示打破沉默,著重以跨領域、跨文化的方式 進行發聲,探索創意和思想的激盪碰撞,不同藝術領域之間的對話性。在此計劃中的影像 和聲音,都將會是即刻發生的,雖然是從排練中熟悉彼此,設定下概念與結構,最終仍保 有現場性,開放即興的空間,而非一成不變。 (感謝 李世揚 提供文字撰寫) Claudia Schmitz and Nicola L. Hein are an interdisciplinary duo that is mostly active with their project UnStumm (https://unstumm.com/), involving several other musicians and video artists. In their duo programme, they keep on developing a common language with live-video, paper sculptures and prepared electric guitar. The extension of the traditional vocabulary of their instruments and media forms a strong basis which they use to create a conversation of images and sounds in which silence plays an important role and a defined quality of sound. Together they toured Japan, Malaysia, South Korea, Hong Kong, Singapore, Argentina and Columbia and are now bringing their project UnStumm to Taiwan. ////////////////////////////////////////////////////////////////////////////// 關於表演者 About The Performers/Claudia Schmitz (DE) http://www.cces-claudiaschmitz.de/slideshowNYC/index.html 媒體藝術家,出生於德國曼次。畢業於科隆高等藝術學院,學習藝術史、影像與媒體藝術 、數學演算等。她擅長使用流動且充氣式的雕塑品、 多維度構圖,創造多層次的想像空間,探索空間中的新形式,將阻礙的舞台,延伸出更多 可能的使用空間、發展內在與外在的影像語言。Claudia Schmitz的許多作品都細膩地處 理與探討「參與」的議題。身為一位活躍的藝術家與教育者,自2005年以VJ COCO HÖHN (Live-Visual Jockey)之名出道,陸續獲得許多獎項。其作品近年於紐約、布達佩斯、香 港、新加坡等地展出。2017年獲得韓國高陽市MMCA藝術駐村。 她的研究領域是:邊界和障礙 - 流動過程,虛擬和現實空間中的身體話語和身份,重新 與交互性,中介性(基於時間的媒體與繪畫和繪畫的現象學相結合),探索社會 - 城鄉 ,共感覺等。「她對科技的現代性並不感興趣,而是對創造新想像維度的能力感興趣。」 My work starts where the media intersect. I am not interested in the modernity of technology as such but in its capacities for creating new imaginary dimensions. Claudia Schmitz uses pneumatic sculpture, multidimensional drawing, moving image and food to explore new forms of sound, space and experience. She explores boundaries: Limits of perception, real and imagined barriers, liquid processes, body discourses. After several semesters of film studies, art history and mathematics in Mainz and Cologne, Claudia Schmitz studied at the KHM Cologne: diploma in media art. She is internationally active artist and has received many awards - including the scholarship for Korea (2017) from the state of Rhineland-Palatinate in cooperation with the MMCA National Museum of Modern and Contemporary Art Seoul and the Künstlerhaus Schloss Balmoral, Kunst Kommunikation DA Kunsthaus Kloster Gravenhorst (2017), the Futropolis Prize for the City of the Future (2014), Stiftung Künstlerdorf Schöppingen (2012) und (2014), AREnschede Artist in Residence, NL (2013) and received the Zontaprize Mainz 2018. In 2019 she will be in South Korea again for 3 months, dedicating her research to the Inner Korean border and the production of Hanji: Residency Gyodong Museum of Art, Jeonju. She composed film music and has been working as VJ (Live-Visual Jockey) under the name COCO HÖHN since 2005, which influences her engagement with video and space. --- ● Nicola L. Hein (DE) http://nicolahein.com/ 出生於德國的作曲家、吉他演奏家、即興音樂家,他在波昂大學與美茵茲大學研習爵士吉 他、聲音藝術、作曲、哲學,目前定居科隆。尼可拉‧漢是不斷關注與探索新聲音的音樂 家,並嘗試將自身獨特的背景內化於演奏中,他也製作互動式聲音裝置,其背後的美學也 與即興音樂相關。其演奏足跡遍及歐洲、亞洲、非洲及北美。他獲得許多補助計畫,其中 包含歌德學院,瑞士Pro Helvetia、法國DICRéAM、Le Fresnoy等組織。曾受邀於美國哥 倫比亞大學、新加坡LASALLE藝術學院等講座。其音樂作品於Clean Feed Records、Pata Records、Leo Records、FMR Records等唱片廠牌發行。從2014年他開始組織跨國交流音 樂演出系列Soundtrips NRW,創立柯隆的即興與當代音樂組織IMPAKT。 Nicola L. Hein (*1988 in Düsseldorf) is a guitarist, composer, philosopher and soundartist. As a guitarist he is mainly concerned about the search for new sounds on his instrument. He plays electric and acoustic guitar with or without preperations and tries to find new ways of playing the guitar within the context of Free Improvised Music and Jazz. He plays the guitar with his hands and plectrum but also with a lot of different objects: screws, rulers, iron wool, violin bow, abrasive paper, magnets and many other objects which are part of his musical vocabulary. The result is his very own world of sounds, which is using the rich potential of the guitar as a creator of sounds. The manual creation is a very important character of this sound world, which never gets distorted by the use of electronic effects. As a composer he finds different ways of integrating philosophical ideas into music and to play music as a form of philosophy. In order to actualize itself the compositional work is always aimed at the improvising musician as a dialectic partner of the composition. From the interplay of these partners an aesthetic emerges that is based on the spontanity of the performance and the setting of aesthetic action spaces alike. As a sound artist he is developing different ways to project the musical ontology of Improvised Music onto different aesthetic rooms. This is done by creating instruments, installations and other ways of using the guitar, which use the musical ontology of Improvised Music as the center of the sonic practice but generate a lot of different sense structures that differ from the usual practice of Improvised Music (for example by creating a scenic sense layer etc.). He also creates sound installations which involve the recipient as a part of the work. The works encourage the recipient to make a special aesthetic experience with different sounds. The aesthetic of these sounds is inspired by the aesthetics of Free Improvised Music. As a philosopher he is interested in philosophy of music, epistemology, aesthetics and media theory. He wrote about the understanding of music based on theories from epistemology. Ideas from the philosophy of language (Wittgenstein, Heidegger, Derrida, Lyotard, Rorty) and skepticism (Sextus Empiricus, Nietzsche etc.) form to major sources of influence for his thoughts about music. The philosophical work is on the one side being carried our in the form of texts and on the other hand in form of aesthetical works in the realm of sound art. He studied jazz guitar, sound art/composition, philosophy and German philology at the Friedrich-Wilhelms Universität Bonn and the Gutenberg-Universität Mainz. Currently Visiting Scholar at Columbia University, New York City. 活動頁面:https://www.facebook.com/events/392727331363477/ -- ※ 發信站: 批踢踢實業坊(ptt.cc), 來自: (臺灣) ※ 文章網址: https://www.ptt.cc/bbs/guitar/M.1561940671.A.48D.html
Luvsic: 推 07/02 14:57